Sun Yat Sen tomb in Nanjing

As founder of the Guomintang and Chinese revolutionary, Sun Yat Sen has shaped a lot of Chinese modern history. Leading China after the 1911 revolution, he later retreated in Gangzhou when the country was fragmented. He died in Beijing on 12th march 1925.

As a symbol of unity of Republican China, a mausoleum was a great way to carry on his legacy. As he wanted to be burried in Nanjing, the project was started in 1925 and design was completed in 1926. The chosen site for the Sun Yat Sen Mausoleum was the Purple mountain or Zijishan / 紫金山, close to Ming emperor tombs. The mausoleum was designed by Chinese architect Lu Yangzhi / 呂彥直 who got the project by winning a national competition in 1925. The project started in 1926. Lu Yangzhi supervised the it until his death at 28 years old in 1929. Fellow architect Poy Gum Lee took over the complete the project.

Entrance to the Mausoleum

After the 1927 Northern and the victory of the Guomintang, new China ruler Chiang Kai Shek had moved the capital from Beijing / 北京, the Northern capital, to Nanjing / 南京, the Southern Capital. The location was no random, as Nanjing had been the capital of China several times, the latest period being during the early part of the Ming dynasty, from 1368 to 1421. This was also briefly the capital of China right after the revolution, when Sun Yat Sen was president and to be burried in the Mausoleum then under construction.

First stop of the Mausoleum

The Mausoleum itself is of republican style, also called neo-confucian style. This style is a mix of traditional Chinese architecture and modern construction methods. It follows the same codes as followed by Chinese architects for centuries. At the same time, introducing reinforced concrete pillars and stone building instead of wood allows for more durable and more spectacular buildings. It is a good metaphor for Republican China, that wanted to go towards modernity, while maintaining tradition.

View from the top to the second station

The Mausoleum is made of three stations on the mountain, linked by 392 steps. Following the tradition Chinese tombs, the final station offers a great view from the mountain, following Chinese fenghui. On a rainy day, the view was splendid as a light myst covered the new constructions afar, creating a feeling of timelessness.

Third station where everybody wants a picture

Most visitors go to the see the inside of the memorial at the third station. Pictures are not allowed there. The hallway is dominated by a large statue of Sun Yat Sen. It is a marble copy of the original bronze statue by French sculpture artist Paul Landowski, who also made the Christ statue in Rio. (see post “From Boulogne to Nanjing” for more details). The original bronze statue is at the Sun Yat Sen Memorial hall, at the bottom of the hill.

Sun Yat Sen burial in 1929

The body of Sun Yat Sen was brought to the mausoleum on 1st June 1929. It is located in the marble sarcophagus located at the back of the main station, which was not open to the public when I went. Nanjing has a lot more to offer in terms of Republican architecture and I will surely go there again.

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Shanghai Qipao exhibition

This major exhibition at the Shanghai museum has been on since late last year. I was lucky enough to finally see it on its last day, on 5th May 2026.

Qipao is the iconic Old Shanghai dress called Qipao / 旗袍 in Mandarin or Cheongsam in Cantonese. An early 20th century dress inspired by traditional Chinese robes, it has become the symbol of the Chinese women dress.

Qipao was worn by 1930s movies stars like Ruan Lingyu. It is also a major point of 1990s Hong Kong movie “In the move for love“. One of the most beautiful qipao picture was taken by Sam Sanzetti in Shanghai in the 1930s. A red qipao is also the center piece of Shanghai based inspector Chen’s novel, Red Mandarin Dress.

Eight Cheongsam beauties, 1940

A number of rare qipaos were already on display amongst many Old Shanghai items at the 2024 “Resonance Art Deco Paris-Shanghai” exhibition . This Qipao exhibition was solely focused on Qipaos, showing a vast range of pieces and the evolution of the dress from the 1910s until today.

Qiapo disappeared from mainland China in the 1950s, but florished in Hong Kong, Taiwan and other locations. It was brought back to Shanghai in the 90s and has seen a return in fashion from the mid 2010s.

The exhibition included many pieces that were rarely seen before. It also gave background information on the period, through pictures and magazine covers.

Magazine cover from the period

It was a great exhibition with no chance for an extension as the Shanghai Museum is now closed for renovation.

This kind of large scale exhibition are a great way to promote Shanghai culture and make Shanghai history more known to the general public. Hopefuly more will come.

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