Crime scene on Rue Henry

Route Paul Henry (today xinle lu / 新乐路) is a small but central street of the former French Concession. This part of the city was very much linked to Gangster Du Yue Shen (杜月笙) empire. His residence was built in 1934 at the beginning of the street and his today the Dong Hu hotel. Crime was definitely part of the life on Route Paul Henry then.

Du Yue Shen residence, today Dong Hu hotel

Further down the street on #82 at the corner with Route L Lorton (Xiang Yang Bei Lu / 襄阳北路) , another elegant building was also related to Du Yu Shen, the seat of the 3 fortunes company (三鑫公司). Started in 1925, the company was the association of three major gangsters of Shanghai, members of the Green Gang: Due Yue Shen/ 杜月笙, Huang Jinrong / 黄金荣 and Zhang Xiaolin / 张啸林. Prostitution, games, opium sales and other forms of gangsterism were its main source of revenue, making the three partners extremely wealthy. Crime paid very well then.

Former seat of the 3 fortunes company

The building style is a modernized version of beaux-arts, with Chinese features. The official website of the hotel claims that original architect was “famous French designer Rafael”, but I have not encountered this name before. Many features are similar with Du Yue Shen house up the street, so it is possible the same architect did both buildings.

Inside the Mansion Hotel (picture from the hotel website)

Around 2007, this beautiful building was turned into a hotel inspired by Shanghai history. The owner curated more than 300 old Shanghai artefacts, buying some from my antic dealers friends. It even features pictures from the actual Du Yue Sheng family. This became one of the most luxurious hotel of Shanghai, making one feel like a trip to old Shanghai just by getting into it. The renovation and decor was fantastic, and although it was probably mostly reconstructed, it just felt like the real thing.

The former owner who ordered this wonderful work died a few years ago. The hotel seems to have been closed for a while. Suddenly, construction started on the site in the late spring of this year (2024). I was fearing the worst and the worst came.

The outside has been pleasantly renovated, with an opening to the street that is making the beauty of the building visible. However, the inside has been totally gutted in this terrible ruinovation. Nothing of the former charm remains, just bare walls that could be in any shopping mall. I nearly fainted when I saw the result. Considering the quality of the previous renovation, this is not far from being a crime to Shanghai history. Old Shanghai lost one of its best place in this incredible move and no municipal protection came to the rescue… at least the building itself survives. Farewell to beautiful mansion hotel, welcome to another fashion store.

Unfortunately, ruinovation or destruction of some of the last bits of Old Shanghai seems to be on the rise. Destruction signs in the former Concessions have started to appear again without any consideration for historic heritage A street further up, the corner of Changle lu and Xiang Yang Lu is already walled up and waiting for destruction. One street further on Julu lu, another small part is also made ready to go.

Lane behind Changle lu waiting for destruction.

Farewell to Lynn Pan

Great specialist of Old Shanghai and author of several books on the topic, Lynn Pan was as discreet as talented. She has recently passed away and will be sadly missed.

Born in Old Shanghai, her family owned major construction company Pan Shang Lin 潘尚林 building firm that was in charge of building Park Hotel and other landmarks of Old Shanghai including the Yangtze Hotel, Picardie Apartments on Heng Shan Road and the head quarters of  Bank of China on the Bund. Growing up in Malaysia, she lived in Europe, Hong Kong and Singapore before coming back to her beloved Shanghai. Her books have influenced many and were instrumental in reviving the memory of Old Shanghai and its glory. They included “In search of Old Shanghai” (1982) and “Old Shanghai: Gangsters in Paradise” (1984).

Another landmark was “Shanghai Style: Art and design between the wars” (2008), that rediscovered 海派 / Haipai or Old Shanghai style mixing the Chinese and Western style used in funiture, paintings, posters and other artefacts.

One of my fond memory of her was a speech she gave at the Shanghai International Literary Festival in 2008 or 2009 together with her friends Tess Johnston and Rena Krasno. Together they gave such a vivid picture of Old Shanghai, just like a time travel.

Meeting with Horose grand daughter

The starting point of this thread was silent movie “Love & Duty” with Old Shanghai superstar Ruan Lingyu/ 阮玲玉. It continued with the discovery of the movie original plot was from a book actually written by a Horose i.e. Stéphanie Rosen-Hoa. She was an unusual character, being a Polish lady married with famous Chinese engineer and writer Hua Nangui / 华南圭. The couple met in Paris were both were studying, but the book was written while the couple lived in Beijing in the 1920s. Then fate put me in touch with their grand daughter (Catherine Hoa / 华新民) who still lives in Beijing.

Léon Hoa, Irène and the children in Beijing. Catherine Hoa in the middle

Catherine Hoa / 华新民 was born in Beijing in 1954. Her father was Léon Hoa / 华揽洪 (1912 – 2012) who was the son of Stéphanie Rosen-Hoa and Hua Nangui / 华南圭. Léon Hoa was a French-Chinese architect who was educated in France and had a successful architecture career in France in the 1930s and 40s, then in China in the 1950s. Horose’s book “Love and duty” is dedicated to him. Catherine Hoa / 华新民 ‘s mother was Irene a French lady. The couple got married in France in the 1930s. In 1951, they decided to come back to China together to help build the new People’s Republic. They lived in the family house in Beijing that was built in 1914 by Hua Nangui / 华南圭. This is also where Catherine Hot / 华新民 grew up.

The family house in Beijing.

Catherine speaks perfect French as she grew up in a French family in China. “My siblings were born in France, they always felt more French. I was born in China and I feel more Chinese.” she said during our conversation. “Life in Beijing was sometimes difficult as I have blue eyes and I stood out among other Chinese people then. It’s only when I went to France that I could find real anonymity.” The family went through a lot of trouble in the 1950s and 1960s during political trouble that were targeting intellectuals. Catherine Hoa / Hua Xinmin only went first to France in 1961 when she took a trip to France with her mother and sister. The whole family moved back to France in 1976, taking the trans Siberian train through USSR.

Talking with her, I could get a lot more personal information on her grand-parents. “My grand mother and grand father spoke French together since they met in Paris. Horose spoke French and English so she wrote the English and French version of Love & Duty and other books. Her work was translated by my grand father and other people.” The tradition continued as Catherine’s mother spoke no Chinese before coming to China. “I was always called Catherine in the family, never by my Chinese name”.

My grand-mother was friend with many interesting people including André Gide who was her neighbor in France. She also befriended Alexandra David-Néel, the first foreign lady to enter Lhassa, who stayed with her in Beijing (probably in her 1937 trip to China). Moving from France to China in the 1910s was very tough. Fortunately, my grand father had an important job in Beijing, so they never had to live together with his family. At that time, China was very traditional, this would have been a great shock for her.

“My Grand-father is quite well known in China.” She actually published a collection of Hua Nangui writings a few years ago in China. “I have been searching for my Grand Mother story, but we don’t have much information about her time in Poland or how and why she came to Paris. We only know that she had several sisters and one of them moved to Israel after she returned in 1946.” She has very strong willpower and a close very link with my father Leon. She left China in 1939, and only came back to spend her last years with him in 1966. At that time, her beloved husband was already buried in Beijing. They could never meet again after he returned to China in the late 1940s.” Stéphanie Rosen-Hoa passed away in 1970. She is also buried in Beijing.

For more information about Stéphanie Rosen-Hoa and her books, please go to original post “The Story of Horose or S. Rosen-Hoa“.

Former Shanghai Belgian Consulate

After a number of years of renovation, the campus of the Shanghai musical conservatory is now open to the public again. Includes several Old Shanghai building that have been renovated.

The most iconic part of the new project is surely “The German building”. This house in Bavarian style had been hiding in plain sight for years, as its main facade was covered by a more modern building for a long time. After renovation, it is now visible from Huai Hai Lu and attracts a lot of attention.

From the outside, it is clear that a lot of care has been put into the renovation. This massive house of German / Bavarian style wasbuilt for a German merchant between 1905 and 1911. It was designed by German architect firm Becker & Baedecker, that also built the former German club on the Bund. At that time, the road was called Rue Paul Brunat and this part was outside the French Concession area. It was formally included under the French jurisdiction after the extension of the French Concession in July 1914.

The back of the house includes a beautiful covered terrasse, also very well restored. An information plate mention that it was the seat of the Belgian consulate, but research shows it was a different building in the same area (see below).

Getting further into the park, one will encounter the former Shanghai Jewish Club, the main building of the modern Shanghai musical conservatory until a few years ago. Having been expended over the years, it is still used although it is now less visible compared to the newly opened buildings. This building is from 1932, with some art deco elements, much later than the “German building”. It’s interior has renovated many times and has little of the original. The location is close to the compound entrance on Feng Yang lu (former Route Pichon).

Former Shanghai Jewish Club

Hidden in the back of the compound is another building that was the biggest surprise as I had not spotted it before as it is hidden in the trees.

Art Nouveau Building in Shanghai

Its Art Nouveau designs looks very much like Vienna style, which is very rare in China. The only other building in that style I saw was in Wuhan. Along with the rest of the compound, the building has also been recently renovated. The inside is still not open to the public. This building is mentioned in an article from 1919, stating it had already been built by Mr Gerecke for a number of years by then so it was probably built around the same time as the German house.

Mr Emil Gerecke (1862-1933) was an employee of the Deutsche-Asiatische Bank (Bank Germano-Asiatic) in the 1890s, and then made his own company. The 1909 China Directory lists E. Gerecke as a bills broker located Route Pichon, and the Shanghai Club. The firm Gerecke & Sierich, Exchange brokers is also located at this address. He was repatriated to Germany in 1919, and came back to Shanghai in 1924.

The house was sold in 1917 and was turned into Dr J B Fearn Blue bird Sanitorium, a modern healthcare facility. It was named after 1908 Maurice Maeterlink’s play “L’oiseau bleu” (or blue bird in English), that was turned into a famous movie around that that time. The Blue bird Sanitorium lasted until 1926.

Blue Bird Sanitorium around 1920

From that point, the house was used as the Belgium Consulate in Shanghai. It is indicated on this 1935 map of the French Concession at 30 Route Pichon. The German house does not appear on the map, so it was not an official building then.

Position of Consulate General of Belgium

The footprint of the existing campus has also been greatly expended, now enclosing neighbouring plots that where previously off limit. This part, including the former Ezra mansion will be introduced in a further post.

Apart from the former Belgian Consulate, I have written posts about the former French Consulate, the former French Municipality and the former British Consulate. Follow the links to access them.

Return to Brooklyn Court

The building on 143 Route des Soeurs (143 Rui Jin Yi lu) has often attracted my interest. I wrote an original post about it in 2008 (See post Brooklyn Court, Routes des Soeurs for more details). The whole area has been under reconstruction for a long time, so I went to have a look again recently, taking pictures of the inside of the building.

Using every single inch

The lilong at the corner of Avenue Joffre and Route des Soeurs (today Huaihai Zhong Lu and Shaanxi bei lu) has been destroyed a number of years ago, as a metro station was built on part of it. New construction in the area has now started and no concession has been left to the history of the area, nor to aesthetic. The surrounding building kind of wraps around half of Brooklyn Court, making sure that every square inch available is used fully. The result is weird and frankly not very nice and will drastically reduce the light coming into the appartements overlooking the back side.

Backside of Brooklyn Court

I also managed to get into Brooklyn Court, hunting for more architectural details than in my first visit. Brooklyn Court was first announced in 1931, as part of the Asia Realty (also known as ARCO) redevelopment of the lot with the adjacent Luck Terrace (now demolished, unfortunately). This was an apartment building “of a medium class”, costing 370,000 taels to build. By 1934 it is finished and occupied. The outside of the building is not particularly sophisticated.

While entering in the building, one of the first sight is the large cross-shaped light wells. It is very disctinctive, while bringing a lot of light to this dark passage. Their shape is so specific that they can be seen from the sky like on below picture (right picture by Matthias Guillin).

Although Brooklyn Court was only “of medium class”, it is clearly marked by his time with inside decoration. Art Deco was the style of the time, and it really shows in the iron work for windows and doors which are really unique in Shanghai.

ARCO’s architects at the time of construction (1931 – 1933) were listed as J. A. Hammerschmidt & F. Schäffer.
– Josef Alois Hammerschmidt was an Austria architect born in Vienna in 1891. He studied at the Technische Hochschule in Vienna, was captured during WW1 and sent to Siberia. After the war, he worked in Tianjin, part of the time with Rolf Geyling, reaching Shanghai in 1931.
– Férenc Schäffer was a Hungarian architect, trained in Budapest and also taken to Siberia as a war prisonner. He reached Shanghai in 1920, were in probably first work with Lászlo Hudec in the office of American architect Rowland A Curry. During his time in Siberia, he met a fellow Hungarian, Sandor Hugo who later became ARCO’s General Manager including at the time of construction of Brooklyn Court.

This is probably through this Austro-Hungarian connection that Hammerschmidt was brought to ARCO in 1931. A few years early, ARCO already headed by Sandor Hugo had hired Lászlo Hudec’s new firm for a development project in 1925-26. The little communitee of Hungarian architects in Shanghai also included art deco star Karoly Gonda (designer of the Cathay Cinema among many others), Béla Mátrai and Janos Komor who designed the Lester Institute in Hongkou district.

The crime is mine

French movie “The crime is mine” is inspired by a play from the 1930s. Director Francois Ozon have turned into a movie that has many references to French cinema past and present, including many actors that are famous in France. This will probably be lost to the non French viewer. What is stunning for the 1930s and Art Deco fan are the fantastic decors and costumes.

1930s locations around Paris and further have been used, including the below bridge that is located in Bagneux, a few kilometers from Paris.

Le pont des Suisses in Bagneux

The story is focused on two ladies, one of which being accused of killing a major film producer, and the other one being her lawyer. The crime is taking place in the luxurious villa of the producer, which is actually the fabulous Villa Empain in Brussels.

The villa Empain in Brussels

Costumes were carefully modeled after the 1930s fashion, creating a real visual univers for the movie. This helps to imagine how life in part of the former French Concession looked like.

Great 1930s costumes

The whole movie has a light atmosphere. Many people seem to like it, although I tend to prefer a noir atmosphere for movied taking place in this period, just like TV series Babylon Berlin taking place in the 1930s. In any case, The crime is mine will delight Art Deco et 1930s fan.

Farewell Avenue Dubail

The cross of North-South and the Yanan elevated motorway is the center of Shanghai. Its construction in the 1990s was a major construction work. Although it was a major step in the city modernity, it came along with the destruction of many beautiful building on the main road of the former French Concession, l’Avenue Dubail.

This video made in collaboration with Augustin Vouilloux shows the beauty of the architecture and a few pictures of the lost beauty of old buildings.

The previous video with the same crew was “Looking for love and duty“.

Peak Café, Hong Kong

While Shanghai history is the focus of this blog, post on related locations are also added including Tianjin, Wuhan, Rangoon, Singapore, Paris, Budapest and many more. During my last business trip to Hong Kong, I visited a place that had lot of echoes from Old Shanghai.

The Peak Cafe is located along the Lang Kwai Fong escalator. In the middle of the city, very close to the super modern skyscrapers, this place is a little bit of Old Hong Kong. Opened in 1947, it still has the feeling of Old time. The interior is surely not older than 1947 but it definitely feels much more like the 1920s or 1930s.

Although Hong Kong has kept very little of its history, with exception of the former jail and police station close by, this little spot feels like time travel to Old Hong Kong, or to Old Shanghai.

Peak Café: 9-13 Shelley street, Central, Hong Kong

1929 Flower Show at the Majestic Hotel

The Majestic Hotel in Shanghai (1924-1931) was a legendary hotel in Old Shanghai. I wrote a post several years ago about it, that is regularly toping the most read article list (See post “The rise and fall of the Majestic hotel” for more info). Since the building was destroyed in 1932, there are only few pictures of the hotel available. Going through my own collection, I recently realised that I have a few of them taken during a special occasion.

According to Nenad Djordjvic “Old Shanghai Clubs & Associations”, The Shanghai Horticultural Society was founded in the 1860’s. It had a yearly Autumn Flower Show, the last one taking place on 20-21 November 1940. It was certainly an important association as it received financial support from the Shanghai Municipal Council and was presided for many years by Horace Kadoorie, whose family owne the Hong Kong & Shanghai Hotels company owner of the Majestic Hotel. The above picture also appeared in the North-China Sunday News Magazine Supplement on 24 Nov 1929 (Thanks Katya Kniazeva for finding it!). So these pictures must be from the 1929 Autumn Flower Show.

The reception room also appears in the original post “The rise and fall of the Majestic Hotel” but looks really different with all the flowers.

Imperial Chemical Industries was a major British chemical firm with strong presence in Old Shanghai. One of their products was fertiliser, a great product to advertise at a flower show. Our friends at Mofba did a post on ICI in Old Shanghai, follow the link to read it.

This picture is taken from the hotel, looking toward the winter garden. The Italian garden of the Majestic hotel where the event takes place was designed by Abelardo Lafuente, a spanish architect in Shanghai.

One of the few pictures of the beautiful iron work inside the hotel.

For more views and history of the Majestic Hotel, go to post “The rise and fall of the Majestic hotel

Shanghai American School building

Founded in 1912, American School of Shanghai was one of the famous high level schools in old Shanghai. The campus on Avenue Pétain (today Hengshan lu) was opened in 1923. The building has long been off limit for visitors, and only part of the façade was still visible from the street. Fortunately, a building next door has just been renovated and turned into commercial. This gives an open view on the former Shanghai American School building.

Former American School building

From this angle, it is clear that the streetside façade is only a short part of the whold building. Although I lived in this neighborhood for years, I was never able to see it before so clearly. The skyscraper in the background it the Shanghai library, located on the spot of the former Culty Dairy.

Back building of the Shanghai American School

As seen on below map, there was a back wing the building. This part has been demolished and modern and larger building has been built instead. The commercial building where I took the pictures from is located on the part where “Shanghai American School is written”. This was an empty space when the school was operating. The former running track is not occupied by a commercial building.

Walking down the alley next to the former school building, one can see the former school water tower. As mentioned by Betty Barr, who actually attended the school herself, “the tower was famous for romantic reason: couples used to climp up there to sign their names.” Looking at it today, it’s not recommended to climb it up, but it amazingly survived all those years.

The American school of Shanghai closed in 1950 but was been recreated in 1980 and still operating today in a different location. Their website is www.saschina.org .