Art Deco Archives - Shanghailander

Return to Brooklyn Court

The building on 143 Route des Soeurs (143 Rui Jin Yi lu) has often attracted my interest. I wrote an original post about it in 2008 (See post Brooklyn Court, Routes des Soeurs for more details). The whole area has been under reconstruction for a long time, so I went to have a look again recently, taking pictures of the inside of the building.

The lilong at the corner of Avenue Joffre and Route des Soeurs (today Huaihai Zhong Lu and Shaanxi bei lu) has been destroyed a number of years ago, as a metro station was built on part of it. New construction in the area has now started and no concession has been left to the history of the area, nor to aesthetic. The surrounding building kind of wraps around half of Brooklyn Court, making sure that every square inch available is used fully. The result is weird and frankly not very nice and will drastically reduce the light coming into the appartements overlooking the back side.

I also managed to get into Brooklyn Court, hunting for more architectural details than in my first visit. Brooklyn Court was first announced in 1931, as part of the Asia Realty (also known as ARCO) redevelopment of the lot with the adjacent Luck Terrace (now demolished, unfortunately). This was an apartment building “of a medium class”, costing 370,000 taels to build. By 1934 it is finished and occupied. The outside of the building is not particularly sophisticated.

While entering in the building, one of the first sight is the large cross-shaped light wells. It is very disctinctive, while bringing a lot of light to this dark passage. Their shape is so specific that they can be seen from the sky like on below picture (right picture by Matthias Guillin).

Although Brooklyn Court was only “of medium class”, it is clearly marked by his time with inside decoration. Art Deco was the style of the time, and it really shows in the iron work for windows and doors which are really unique in Shanghai.

ARCO’s architects at the time of construction (1931 – 1933) were listed as J. A. Hammerschmidt & F. Schäffer.
– Josef Alois Hammerschmidt was an Austria architect born in Vienna in 1891. He studied at the Technische Hochschule in Vienna, was captured during WW1 and sent to Siberia. After the war, he worked in Tianjin, part of the time with Rolf Geyling, reaching Shanghai in 1931.
– Férenc Schäffer was a Hungarian architect, trained in Budapest and also taken to Siberia as a war prisonner. He reached Shanghai in 1920, were in probably first work with Lászlo Hudec in the office of American architect Rowland A Curry. During his time in Siberia, he met a fellow Hungarian, Sandor Hugo who later became ARCO’s General Manager including at the time of construction of Brooklyn Court.

This is probably through this Austro-Hungarian connection that Hammerschmidt was brought to ARCO in 1931. A few years early, ARCO already headed by Sandor Hugo had hired Lászlo Hudec’s new firm for a development project in 1925-26. The little communitee of Hungarian architects in Shanghai also included art deco star Karoly Gonda (designer of the Cathay Cinema among many others), Béla Mátrai and Janos Komor who designed the Lester Institute in Hongkou district.

Center Stage / 阮玲玉

Actress Ruan LingYu 阮玲玉 was one of the main star of Shanghai cinema in the 1930s. Shanghailander.net’s series of blog posts about her 1931 movie “Love and duty” sparked interest in the readers. One of them pointed me to the 1991 Stanley Kwan Hong Kong movie “Center Stage” or 阮玲玉 (Ruan Lingyu) in Chinese.

Center Stage is focused on the life of actress Rang Lingyu, from the time she became an actress for the Lian Hua studio in 1930.

Stanley Kwan Hong Kong movie mixes biopic like scenes with cuts from the two remaining original movies (The Godess 1934 and New women 1935). It also adds interviews from people who actually knew Ruan Lingyu, and of some of the movie cast. Meggie Cheung is fantastic at interpreting Ruan Lingyu sensibility.

One of stunning feature of the movie is that various actors speak different Chinese dialects to each other. Ruan Lingyu, as many people of the Lian Hua studio speak cantonese. Other characters speak mandarin or Shanghai dialect, but they all seem to understand each other somehow.

A number of surviving pictures have been studied used to recreate the original scenes. Enormous work has been done recreate the architecture, art, fabrics and objects of the time. The art deco mansion occupied by the Lian Hua studio feels like a Shanghai villa, just like the dance club is clearly inspired by Shanghai’s paramount.

Although not so well known in the West, the movie was well received by critics, with Maggie Chueng earning a Silver price for acting in Berlin festival in 1992. It is definitely a must see for Old Shanghai lovers. Too bad “Love and Duty” was only found and restored after “Center Stage” was made, that would have been a great match.

“Death in Shanghai” by MJ Lee

I have read a number of novels taking place in Old Shanghai, but for some reason I missed MJ Lee’s “Death in Shanghai” until now. It is amazing I did not get to read it before, having been interested in both crime novels and Old Shanghai for a long time.

Piotr Danilov is the only foreign inspector in the Shanghai International Settlement’s Police Dept. Being Russian, he spent time in Scotland Yard, hence his excellent command of English. He also speaks French although where or how he learned is not clear. This conveniently helps him being sent to discuss with the French concession police when required. As a hard working cop, he is very much isolated among his moslty lazy, violent and corrupt British colleagues. Danilov also has his dark past that will be uncovered through the novel. Danilov’s sidekick, Strachan, is also an outsider being born of a British father and a Chinese mother and not being part of any of those communities.

The book starts with a corp discovered in the Suzhou Creek with inspector Danilov being put in charge of the investigation. The police hierarchy wants a quick found convict, but soon more murders will be linked to this one, both in the International Settlement and the French Concession. The books plot is complex but not overly so, making it a fluid read.

The main character of the book is not a person, but a city. MJ Lee has lived in Shanghai and definitely used historical documentation to write his novel. The city description is not limited to its buildings but also includes scents, food tastes and sounds giving a lot of atmosphere to the story. It is mostly accurate in its geography of the city giving a lot of credibility to it from an Old Shanghai enthusiast point of view. One of the twists of the story actualy comes from the Garden Bridge on the Suzhou Creek and the Shanghai Morgue, inside the Shanghai General Hospital, being located close to each other. Although the book has been historicaly researched, the novel does not become a show of the author’s knowledge of Old Shanghai like other ones I have read before. The story reads easily even if the reader knows nothing about Old Shanghai.

As an Old Shanghai researcher I could not avoid picking a few anachronisms. As an exemple, the author mentions “Art Deco” buildings and jewelery in 1928, when the term “Art Deco” was only coined in the 1950s or 1960s (see post “1925 when art deco dazzled the World“) . Another point is the mention of the “Shanghai Badlands” in 1928, an area that became known under this name only after 1937 Japanese occupation. I also noticed a small mistake in the French dialogs when a gard at the French police was called a “fonctionnaire”, meaning civil servant which sounds pretty weird in the story. The author surely meant a “factionnaire”, meaning a “soldier on duty”. This also shows that the author probably speaks French himself, as the French dialogues are very good in the book.

With its historical accuracy, its interesting plot and good writing style, “Death in Shanghai” is definitely a great read and a good introduction to Old Shanghai. I am looking forward to read the three other novels in the series. Having lived in the Shanghai at the same time as the author, I can only regret that we did not meet then as we would have had a number of common interests.

For those mosty interested in crime novel in new Shanghai, I can only recommend the famous Inspector Chen series from author Qiu Xiaolong (See post Red Mandarin dress for more details).

More New Asia Hotel luggage label

Search about New Asia Hotel continued after the original post “New Asia Hotel“. Not much seem to have been written in English about it, probably due to its off side location in Hongkou (Hongkew in old spelling) district and its short original life from 1932 to 1937 (before being taken by the Japanese authorities). My original post “New Asia Hotel” attracted attention from fellow researchers, who shared the information with us.

First of all, the original post showed one example of label, but I found another one. Style is very similar but this one is round, compared to the original with slightly different shape. The round shape is also smaller, with different font used though design is very similar.

Luggage labels were is fashion in luxury hotels, and New Asia Hotel was one of the many hotels in Shanghai. More Old Shanghai luggage labels are displayed on post “Old Shanghai luggage labels” as well as “More Old Shanghai luggage labels“.

Peter Hibbard, who has researched the Cathay Hotel and wrote a book about it (See post “Peace at the Cathay“) gave a lot of information of the original mission of the New Asia Hotel.

” The New Asia deserves special mention as it was a remarkable diversion from other ‘modern’ Chinese hotels. Before the Japanese arrived the hotel was a moral exemplar. The New Asia Hotel decided to break away from the prevailing standards of Chinese hotels by barring mahjong, women of ill-fame and opium. With branches of the hotel already operating in Hong Kong and Canton, the nine storey Shanghai hotel, situated on the corner of Tiendong and North Szechuen opened in January 1934. The aim of the Cantonese general manager, Mr. Cheng Bew, known to foreigners as Mr. B Jones, was to conduct business along the lines of the foreign hotels where the morals of young men may be preserved and where the charges will be within reasonable reach of the average man’s pocket.

The unusual combination of Christian fellowship and sound business practice brought, to the surprise of many, immediate and lasting success. In it’s first year of operation the hotel received over 72,000 guests. All of the hotel’s 450 staff were meticulously trained in the hotel’s own lecture rooms, with many of them being able to speak English.

The hotel company, in deliberately omitting a ballroom from the hotel, substituted a spacious roof garden for healthy recreation and games. However a small bar was to be found on the ground floor near a club-like lounge and reading room. The hotel invited international patronage, with the Chinese and foreign dining rooms being a favourite lunchtime haunt of Shanghai’s diplomatic circle. “

Peter also added specific information about the drastic change of policy after the takeover by the Japanese authorities.
“The China Weekly Review May 28th, 1938:

Christian Hotel Converted into den of intrigue…

The New Asia Hotel …has been diverted to strange usage, so strange as to verge on the occult if one would believe all the stories told about the hostelry.

When opened it announced that it would be ‘operated in strict accordance with Christian principles,’ in sharp contrast to some other hotels in the city which catered to ‘the flesh and the devil.’ It had Gideon bibles in every room and was the first ‘strictly modern’ Chinese hotel in Shanghai.
When the Japanese seized the Hongkew area, the Special Service section grabbed the New Asia and established its headquarters there. For a time it was operated by foreigners but now totally Japanese. Now serves as headquarters for around 30 different ‘puppet organisations.’ The New Asia is a hotbed of traitorous activity, housing all manner of organisations which the Japanese warlords are using fro breaking down Chinese resistance or misleading or confusing the public as to what really is going on.’
Secret agents of the organizations are sent into the International Settlement and the French Concession to solicit members. They are plentifully supplied with funds and their main purpose is to invite the prospect to the New Asia for a feat and party. Many Chinese newspapers carried stories of nightly orgies.”

After WW2, the hotel continued being used by the military.
” The China Daily Tribune 3.3.48
Air Transport under General Chennault – the Flying Tigers, moved into New Asia Hotel after V-J Day, later occupied by the US Army and then the Army Advisory Group in 1948.”

Finally, the building was designed architect S. A. Sayer, but American Chinese architect Poy Gum Lee (See post ” Poy Gum Lee lost building“) was also involved as a consultant. He was a rumored to be the actual designer but denied in a new paper post. He retained shares of the hotel after he returned to New York.

New Asia Hotel

Although it is slightly off the beaten track, Honkou’s New Asia Hotel is still an emblematic Art Deco building. Located right behind the Shanghai General Post Office, it is one of the large hotel from Old Shanghai that is still operating until today, like Park Hotel, Cathay Hotel, Yangze Hotel and few others. Having been interested in Old Shanghai hotel and their luggage labels, I recently got the one below, leading to further research about the hotel. If you have missed the previous posts on language labels, please go to post “Old Shanghai hotels luggage labels“.

New Asia Hotel was built in the West of Hongkou district in 1933 and opened in early 1934. It is located right behind the General Post Office, on Sichuan Bei Lu near the bank of the Suzhou Creek. The whole area was being developed then, as the neighboring Embankment Building was built in 1932 and the Bridge House one block behind in 1935. The developer of both buildings was Republic Land Investment 五和洋行, with an architect team headed by S. A. Sayer 席拉 (Thanks to Katya Knyazeva @https://avezink.com/ for the find). New Asia Hotel first open a hotel in Guangzhou in 1928 and Hong Kong on the same year before coming to Shanghai.

New Asia Hotel from Sichuan Lu, probably 1934 (picture virtual Shanghai)

The hotel had a distinctive Guandong style, in particular in terms of food. The Hongkou neighborhood had many Japanese residents, so the hotel attracted Japanese clients as well as international travelers as seen as below advertising. The location made it close to the Bund business district, but as also close to Japanese Consulate on the North, the NYK (Japanese Shipping line) wharf and the Japanese Club that was a few streets away in Hongkou district.

Advertising for New Asia Hotel, picture ebay

Business did not last for very long as the brand new hotel was taken over by the Japanese occupation authorities after 1937. The hotel was used as the headquarter of the Special Services Corp of the Japanese Military Police, as well as base for gangsters linked with it. Being the best hotel in Shanghai out of the foreign area, it also became the residence for Japanese appointed mayor of Shanghai at the time.

The above luggage labels and advertising shows a Japanese flag on the top of the building. Large buildings of the period often showed foreign flags, like British flags on the Bund. My guess is that the luggage label and above document are from the 1934-1937 period, as I don’t see the Japanese occupiers being busy with creating marketing material in English. For more luggage labels from hotels in Old Shanghai, please go to post “Old Shanghai hotels luggage labels“. I recently found another luggage label from New Asia Hotel: See post: “More New Asia Hotel luggage label“.

New Asia Hotel was renovated several times, so the interior has lost all its history, but the Art Deco building still remains today. The hotel is now called Golden Tulip New Asia Hotel.

Bucharest Art Deco

Art Deco was a major artistic movement in the 1920’s to 1940’s. Although it was overlooked for decades, attention has come back to it, first in the US, starting with Miami Beach, as well as in Australia and New Zealand (See post Napier Art Deco). In the last ten years, Art Deco has also come back to Europe, including France the original location of the 1925 exposition des Arts Decoratifs. Shanghai Art Deco was celebrated by the 2015 World Congress on Art Deco, with Paris being the location for the 2025 Word Congress, 100 years after the original exhibition.

The rediscovery of Old Shanghai was also a discovery of the Art Deco heritage of the city. As Old Shanghai buildings were uncovered (from add-ons in particular) or restored, they could be classified in various style, with the leading style being Art Deco. The next step was to realize that “unique” Shanghai buildings where unique in Shanghai, but very similar to some in far away places. For a while, I was travelling to various destination, looking for buildings that looked like the Shanghai own, often from the same period. The first post was probably “London recalling“, followed by many trips in Auckland, Sydney, New York, Miami, Paris, Lyon, Budapest, Dijon etc etc. The feeling of Deja Vu was summarized perfectly in ” Deja vu from Paris to Shanghai “, as well as in post “Shanghai flashback“. Although I have reduced travelling for architecture in the last years, friends who lived in Shanghai started to send pictures to me. The latest example, is from Bucharest, from Old Shanghai specialist Peter Hibbard.

Art Deco building in Bucharest… that would look just at home in Shanghai

The above corner building could fit very well in the streets behind the Bund, or near Hamilton House, Grosvenor house or the corner of Avenue Edward VII and Szechuen Road (today Yanan Dong lu and Sichuan Lu). Just like building in Old Shanghai, and most communist countries, it was poorly maintained after WWI, but I am sure it was originally a very high class building.

Another example of Art Deco / modernist similarities is the above corner building in Bucharest, that is quite similar to some in Shanghai, including the Bearn apartment building in Shanghai, buy French firm LVK.

Visiting Prada Rong Mansion

The Rong Mansion on 186 Shaanxi Bei lu is one of those places that Old Shanghai lover wants to visit. I had a chance to be part of a full tour of the house thanks to Historic Shanghai and I am happy to share pictures and impressions about one of the greatest Old Shanghai property in the city.

The original house at this location was built around 1909-1910 by a German Jewish family. The garden was much larger than today, going all the way down to Weihai Lu. Bubbling Well Road (today the busy and upscale Nanjing Xi Lu) was a road to the countryside with large residential domains on each side. The house was in the neighborhood of Silas Hardoon’s Aili’s Garden (completed in 1909) and Mc Bain building that later became the Majestic Hotel.

The mansion was purchased in 1918 by the Rong family, as the original owner did not come back to Germany after WWI. The Rong family was one of the richest Chinese family in Shanghai. Although the house was remodeled and expanded several times there are definitely parts dating back from the construction time. This particularly true on the ground floor, where the smaller reception room is located, as well as the rooms above it, that formed the core of the original building. Tiles in this room is one of the few Art Nouveau details that can still be seen in Shanghai. Similar tiling can also be seen on third floor above. David star is also displayed in both places, probably thanks to the original Jewish owners.

Glass work has been amazingly preserved through Shanghai history and magnified by the beautiful restoration by Italian designer Roberto Baciocchi. The villa has one of the the largest collections of original Art Nouveau stained glass Windows in Shanghai. Only comparable to former College Français on Rue Vallon or the CMLI building on Guangdong Lu.

Great care has been put into cleaning, restoring or recreating the original materials. Besides glass work, this included tiles, wood floors and wood wall panels. The most iconic piece of the house is surely the stained glass ceiling of the main reception room. The only similar piece in Shanghai is the stained glass ceiling at the former Cercle Sportif Français, today’s Okura Garden Hotel.

Famous stained glass ceiling in the Rong Mansion

It’s difficult to say whether this was part of the original design or added later. I would think that it was added in the 1920s or 1930s with such a strong geometrical Art Deco center… but the outside (see picture below right) is much more Art Nouveau. It still feels like the original ceiling was more a traditional Central European style which part is still visible today (picture down left), and that the stained glass ceiling was added later.

Going through the Rong Mansion is like a trip to Old Shanghai, until realizing that it is in the heart of bustling Jing An District when getting in the garden.

The house can be viewed when exhibition take place there, but often parts are covered or off limit for visitors. We had the chance to get the full viewing!

Night out at the French Club

Old Shanghai has been back in fashion in the city for many years now, but so far it was mostly about architecture and famous people from the past. What was missing was a true popular event involving the Chinese public interested in the topic, just like the annual Napier Art Deco Festival in New Zealand that I attended in 2010. The Shanghai Style Fashion Festival that took place from 15th to 18th June is definitely along the same line and was great fun to attend.

Taking place in the former “Cercle Sportif Français“, today’s Okura garden hotel it merged an exhibition of Old Shanghai furniture and interiors, talks about the topic and evening events gala style events. Most of the participants followed the 1920-30’s dress code, adding to the atmosphere of the location.

The event combined several rooms exhibiting Old Shanghai furniture and interior, talks about the topic and daily evening parties including small scenes about Shanghai daily life, and Old Shanghai inspired fashion shows.

A unique feature was the presence of a live big band, a rare occasion in Shanghai, that also helped creating the right atmosphere. That is particularly true on 16th June, the Swing dance evening.

Dancing through the night, like in the 1930’s

With the enthusiasm of the real Swing dance club supporting the event, people dressed up and an original ballroom from the 1920’s, it really felt like a time travel to Old Shanghai. This is very much how a night out in the Canidrome Ballroom, or the Paramount must have felt like. Congrats to the organisers for the event and looking forward to the next edition.

Update: Shanghai fashion festival was also organised in 2022. I took part of the event with a speech in Chinese. See post “Media appearance in Chinese” for more details.