City of lost souls by Martin Petersen

As a lover of crime novels and Old Shanghai, new book “City of lost souls” by Martin Petersen just fits the bill perfectly.

1930s and 40s crime movies are often called “Film noir” (black movies in French). This comes from the original “Roman noir” (“black novel” in French), a particular type of crime novel also called hardboiled crime fiction. Characters of this kind of stories are often disappointed with life, having a cynical attitude. Besides classics like Raymond Chandler, the best modern author of the genre is probably James Elroy (See post “Perfidia” for more details). One of the best film noir is “Casablanca” with Humphrey Bogart and Ingrid Bergman that is some clear parallels with Old Shanghai.

A number of authors have tried to recreate Old Shanghai in crime novels. Some of the best attempts at Shanghai noir so far were Tom Brady’s “The master of rain” and MJ Lee “Death in Shanghai“. French readers can also enjoy Bruno Birolli’s “Le music-hall des espions“. “City of lots souls” is a great new addition with many of the genre’s cliches including a private detective, a femme fatale, a mystery and gun fights. The story keeps the reader turning the pages and the book is highly entertaining.

Author Martin Petersen has long been studying Old Shanghai history, and it shows in the book. Events fit right, characters are realistic and the author includes many smell, taste and noise that make the book feels like real. The book includes a large number of secondary characters that really existed, including media man Carl Crow, French jesuit Robert Jacquinot de Besange and Du YueSheng that are well played. It also reflects rightly the feelings of foreigners living in Shanghai at that time, including the attitude to Chinese people and drinking habits. Sometimes description of buildings and places are a little too long, but never boring.

The real Robert Jacquinot de Besange

There are few mistakes in Shanghai geography, with distances being sometimes underestimated compared to reality. For example, it is clearly not possible to see the French Park from Black stone apartments as mentioned in the book. Another point is the New Asia hotel, being mentioned as the headquarters of the Japanese in 1932… when it was actually built in 1933 on the ruins of the attack. A final point is about the Canidrome, that was not build by Henry Morris. Although located on a part of the former Morris estate, it was built by a group of French investors and run by French man Felix Bouvier. Still the author knows Old Shanghai well and errors are only minors, mostly on the French side.

The plot is interesting without being too complex, while taking the readers to various places in the city and beyond. Martin Petersen definitely got some inspiration from one of my favorite book, “Foreign devils on the Silk road” by Peter Hopkirk. The story is built around historical facts and feels right. The action is well paced making it a real page turner after having understood the weird and sometimes annoying page ordering. As a collector of Old Shanghai items and lover of film noir I recommend this book. Hopefully there will be some more episodes.

Resonance Art Deco Paris – Shanghai

Art Deco has been on the rise in the last 10 years, since I wrote post Art Deco in France. It has been the center of several major exhibition like “1925 When Art Deco dazzle the World” in Paris in 2014. Art Deco in China has also gained a lot of attention particular through Laszlo Hudec work as well as 2015 Word Congress on Art Deco in Shanghai. The link between Art Deco in France and China was shown in the small but beautiful “Art Deco, The French China connection” in Hong Kong in 2019. Now a new exhibition of showcasing Art Deco in Paris and Shanghai has opened in Shanghai. Showing many rare pieces, it is definitely worth a visit.

Located in the former British Consulate on the Bund, it matches this is a great location. The main theme of the exhibition is the strong link between art and craft in the 1920s and the 1930s, the art deco era. The tour de force was to bring pieces from Paris museum and show it along rarely seen pieces of Shanghai art deco. Art deco was a global style of art and craft, but it also had it own local variations.

Paris art deco wind screen, influenced by China

The exhibition also highlights the way art and craft in 1920s and 1930s influenced each other. Modern Shanghai was used a lot of western references, but Art deco in Europe was also heavily influenced by Asia and China. The exhibition success is to make this visible.

The exhibition tour de force is to show numerous Shanghai art deco pieces, furniture, lights, cloths and advertising posters. It is very diverse, showing the width and variety of Shanghai art deco production. It also shows rarely scene pieces including real old Shanghai Qipaos and wonderful dragon carpets reminding of the cover of Tintin’s Blue Lotus. It also adds movies including the ones of Ruan Lingyu / 阮玲玉 and literature including 1930s Shanghai author like Mu ShiYing / 穆時英 and Shi Zhecun / 施蛰存.

The exhibition is located at Bund 33 and will last until February 16th 2025. Tickets are 150 RMB for person, 200 RMB for 2 people. It is a must go for anybody interested in Shanghai history and art deco lovers.

Shanghai Concordia Club

Early 20th century Shanghai counted a sizeable German population although it did not have a German concession, unlike in Tianjin. The German Consulate was proudly standing on the North Bund, next to the US and Japanese Consulate (both the former German and US Consulates long ago).

Like the British, the French, the Americans, the Japanese and others, Germans had their own club in Shanghai. It was named the Concordia Club like many German clubs and associations all over the World, the name of the Roman Goddess of harmony, unity and agreement. Concordia Club started to be created in the US and other locations a few years after the creation of the German Empire in 1871.

Letter to the Concordia Club (source stampauctionnetwork.com)

Although I did not find information about the creation or picture of the original Concordia Club in Shanghai, the Club building was rebuilt between 1904 and 1907, under the direction of German architects Becker & Baedecker. The same firm also designed the former German post office in Shanghai, the now disappeared Dehua Bank Beijing Branch in Beijing and the German house now part of the Shanghai Conservatory compound. The foundation stone for the new club building was laid by Prince Adalbert of Prussia on October 22, 1904.

Prinz Adalbert giving three hammer knocks for celebrating the start of construction of the Concordia Club in Shanghai

For the construction, the Concordia Club issued bonds of 100 Taels, for a total of 100.000 taels in July 1904.

Loan of 100 taels for the construction of the new Concordia Club (source hpwh.de)

The architecture style was German renaissance which was popular in Germany at the time.

View of the Shanghai Concordia Club (source Shanghailander collection)

It was located on 23 the Bund, between the Palace hotel and the British Consulate. The 6 storeys building stood out on the Bund, showing the might and power of the German Empire in Shanghai. It was also a few meters from the Monument dedicated to the Iltis, a German ship that sunk off the China coast in 1898.

Colorized postcard of the Concordia Club with the Palace Hotel on the left (source ebay.com)

The club was the center of the social life of the community, where German business people would gather for meeting. Although I did not find a reliable information, it seems that the Concordia Club was also open to (German) women, as opposed to the Shanghai Club, the British Club that was only open for men (but took a few foreigners). It was also a place where Germans in the city could meet and where formal events in the German community took place. The below picture shows an invitation for a masked ball on 29th February, signed by “Der Vorstand”, i.e. the committee (the year is probably 1908 or 1912). Cost of Supper was 3 dollars.

Invitation for a masked ball at the Concordia Club (source delcampe.com)

As with all Germany’s possessions abroad, the Shanghai Concordia Club was confiscated following the 1919 Versailles Treaty. It was then acquired by the Bank of China that used it as its headquarters in Shanghai. The image of the building was printed on some of the bank’s banknotes.

1926 Bank of China banknote with former Concordia Club (source moneypedia.de)

Construction on the Bund continued in the 1920s. The new Sassoon House, home of the Cathay hotel (today Peace Hotel) built next door in 1929 made it look particularly small. The former Concordia Club was demolished in the 1935 to make way for the new Bank of China tower on the Bund.

Concordia Club next to Cathay Hotel (source Shanghailander collection)

A Concordia Club was also built in Tianjin in 1907. As opposed to the Shanghai one the Tianjin Concordia Club building still stands.

Former Concordia Club Tianjin (source exploringtianjin.com)

For more information about clubs in Old Shanghai, go to post “Shanghai Club revival” and “Inside the Cercle Sportif Français“.

Former Shanghai French Consulate (Part 2)

Located on the Bund, the French Consulate building was on the cross of the Quai de France (French Bund) and the Rue du Consulat (Consulate street, today Jinling lu). As explained in post “Former Shanghai French Consulate (Part 1)“, the Consulate moved to this plot in May 1867. Due to the low quality of the construction, a new building was erected in 1896, when Paul Claudel was Consul General.

The new building was of neo-classical style, matching buildings on the Bund of the International Settlement, a few hundred meters away. It was asymmetrical with a round extension on the side on Rue du Consulat (on the left side, today Jinglin Dong Lu).

Below is another view of the building, probably taken later with trees significantly larger. It is also much closer and gives many more details of the building. it gives a clear pictures of the façade’s balcony and windows. The style was definitely noe renaisssance, typical from the French 3rd Republic period. It is quite similar to the former Saigon municipal building, built by France between 1901 and 1909. Although the picture is not dated, the text on the back side of the postcard dates it from 1927.

Like other postcards then it was made from a black and white photograph (color photography was not widely available then) and colorized by hand. Although the colors were added later, it looks very real and was probably close to original of a grey stone building similar to the first picture. I don’t think the roof was green, probably dark grey colored. Yellow is used for the trees and some part of the front, maybe the “RF” (République Française) sign was covered with gold like on the picture though I doubt it. The characters on the street side clearly indicate the scale of the building that must have been clearly visible from the river, just like buildings down stream in the former international settlement.

The building was the office of the French Consul as well as his family home. If the area was not so busy when this consulate building opened, it was very different in the 1930s as Jacqueline Meyrier, daughter of Consul General Gustave Meyrier ,who was born in Shanghai in 1927 and lived in Shanghai from 1932 to 1936 and from 1945 to 1950. As stated in her interview by Didier Pujol, “She remembers the noise coming from the Quai de France which was always filled with coolies carrying loads off the boats.” The Rue du Consulat was the main road in the East of the French Concession, and was next to Route Colbert were the godown (warehouse) of Butterfield and Swire was located, so the area must have indeed been noisy.

The location of the French Consulate remained unchanged until the end of the former French Concession in 1946 as shown on below map from 1937.

French consulate location

This version of the French Consulate lasted the longest, and the building continued to be used long after the Consulate closed in 1950 as the Jin Ling Road Middle school. A French friend told me the story of the destruction of the building in the early 80s, when he tried to salvage a few pieces. Unfortunately, those remaining pieces have been lost over the years. Below picture is from 1983, shortly before the building was demolished.

The former French Consulate building was replaced by an unimaginative office building. Fortunately, this building was renovated and a neo-art deco style top was added in 2006. It is now occupied by ICBC bank. The ground level of the building reminds of the style of the former Consulate building, including wrought iron fences around the plot. Maybe it is an hommage to the former building that was once on that same spot.

Location of the former French Consulate (Right)

The neighbouring building, the former office of the Messageries Maritimes still stands (right to the main tower), being now the seat of the Shanghai archives. For more information, about the earlier French Consulate (1861-1896) that was located on the same spot please go to “Shanghai Former French Consulate (Part 1)”.

Shanghai customs house 1860

Travel books from the late 19th century are a good source of information about Shanghai at the time. However, the engraving that come with them are often wrong or invented. I recently receive the picture below, a extract from French review “Le tour du Monde” (around the World) from 1860. Unlike some others in the same review, this one seems pretty true to the original scene.

The above engraving was made from a painting from Pierre-Eug`ene Grandsire (1825-1905), a well known French painter. As the painter did not travel, it was made from a description or an earlier drawing from French marin officer M de Trévise. The picture must have been a great success, as it was later used for other publications in the UK.

Published in 1860, the picture is a reflection of 1858 or 1859. Control of the Chinese customs was handed to the British in 1854, and in 1857 the Shanghai authorities spent 6800 taels to built the customs office that was located on the Bund. From some sources, it seems that the building was originally a temple on the river side. The engraving is quite similar to the few pictures of the building that there taken later. The shape of the building was kept, though the actual proportions and size of the building is somewhat flawed.

A picture of the early Shanghai customs house, courtesy of https://www.hpcbristol.net/

In 1893, it was replaced by a more western building, as seen below. That building was demolished in 1925 and replaced by the current customs house in 1927.

The 1893 Shanghai Bund customs house (Shanghailander.net own collection)

Shanghai new Gudao

The word of Gudao 孤岛(or isolated island) for Shanghai is usually associated with the 1937 to 1941 period. From the July 1937 to December 1941, both the International Settlement and the French Concession were surrounded by the Japanese army, but not occupied. Foreigners were still in control inside the concessions, but outside the population was ruled by the Japanese. Crossing in out the foreign settlements was difficult and dangerous, and population suffered. All people who lived through this period underline the strong feeling of isolation that people felt in Shanghai at the time. Supply was far from secure and many people died of hunger in city’s streets. Most of all, the city and it inhabitants were totally isolated from the rest of China.

After years of studying Shanghai history, I never thought that I would live through a period of time that is so similar. The last 2 years of CoVid epidemic have seen several periods when it was strongly recommended or sometimes forbidden to leave the city. As CoVid passed its second anniversary, it seemed that the epidemic was fading away… but it came back to the city with a vengeance. Although some districts started earlier, the lockdown started on 1st April on Puxi (4 days earlier in Pudong). It officially ended on 1st June, although some districts were still put under lockdown later on.

One of the strong reminder of the Gudao period, was that districts were separated from each other, with physical barriers being erected. Although the city’s administration has been largely changed since the late 1930s, some strong similarities remain. The most striking one for an Old Shanghai lover was surely the crossing point over the river on Szechuen Road (today Sichuan Lu).

Then and now

Besides the similar images, this lockdown also created similar feelings. In particular food in Shanghai was scarce in the early weeks of the lockdown, as logistics chains were heavily disrupted. Food supply was also a massive issue in the Gudao era.

Similarly, during the Gudao, inhabitants felt locked in this little strip of land and getting out was really difficult if not impossible. As similar sens of enclosure captured Shanghainese and foreigners alike. Many foreigners left if they could in the Gudao era, and very few came back in the year after the war. In a similar ways, many foreigners in Shanghai have already left or are considering doing it, even if the full lockdown is now lifted.

Life in Shanghai remains unsettled and the usual optimism and forward thinking of the city has been severely shaken. Hopefully the city vibe will come back in the coming months, and the city will surely be in full swing again by then.

M on the Bund closure

Michelle Garnaut’s place, M on the Bund, was the original Bund’s renaissance restaurant. Open in 2002, it was then the only high level independent restaurant on the Bund. A staple of Shanghai nightlife as well as one of the most Old Shanghai evocative place in the city, the restaurant has announced in closure for 15th February 2022. With its unique style mixing modernity and old colonial atmosphere, it has been one of the top spot for Old Shanghai lovers and will be sadly missed.

Located in the former NKK Building, on Bund N5 at the Cross of Canton Road (Guangdong lu) and the Bund, M on the Bund occupies the top floor, including the small but really nice terrasse. Besides the location in the heart of Old Shanghai’s Bund, the whole decor and atmosphere feels like high class dining in Old Shanghai.

Lunch at M

Furniture, accessories and decor have been carefully curated to carry the real sense of class, sophistication and timelessness that makes great places. Staff has been trained and retained for years, creating a service level that is both very effective and nearly invisible. M’s brunch is still a favorite, along with its legendary Pavlova, but M on the Bund has been far more than a restaurant.

Michel Garnaut has been instrumental to bring culture to Shanghai, a place that was so much lacking of it. M was the main organiser and location of the now defunct Shanghai Literary Festival (See 2007 post “Quelques grammes de culture dans un monde de brutes“). The Glamour Bar (see post from 2009 “An old favorite the Glamour Bar“), was the place to present books about Old Shanghai in a timeless atmosphere. Many book reviews in this blog started with such a Saturday afternoon event or a lunch presentation at the Literary festival. My most vivid memory of those times is a presentation by the three ladies of Old Shanghai, Tess Johnston, Lynn Pan and Rena Krasno, probably around 2008. Since M on the Bund will close down in mid Feb, it’s the right to pay a last visit and enjoy the unique atmosphere of this legendary place.

Unfortunately, M on the Bund was not the only foreign place to close this winter. Famous Shanghai franchise Element Fresh, French veteran Le Café des stagiaires as well as Wine bar and terrasse favorite Kartel have already closed down in the last weeks.