Horose literary circle

French polish author Horose (aka Stéphanie Rosen-Hoa or 羅琛華) lived in Beijing with her Chinese husband Hua Nangui / 华南圭 from 1910 to 1937. The couple had a rich cultural life, both of them publishing books that became highly influential in China. While Hua Nangui published books helping develop and implement technology in China, Horose wrote numerous novel focused on observation of changes in the Chinese society at the time. (see post “The story of Horose or S. Rosen-Hoa” for more details about her story).

As a writer couple in Beijing, they had a large circle of literary friends. They were definitely supportive and involved in the nationalist and literary movement that became known as the May 4th movement and had links with some of its prime members.

Students demonstrating in Beijing on May 4th 1919

Horose main book was “Love and duty“, also known as “恋爱与义务”. The novel was written in French, and translated into Chinese by Zhao Zun Xin / 赵祖欣. Later welknown as Zhao Shaohou / 赵少侯, he graduated from the French department of Beijing University in 1919. He was a teacher and director of the Literature and Art Department of Sino-French University, a lecturer of the French Department of Peking University, and an editor of the People’s Literature Publishing House. He began to publish his works in 1932. His translation of Moli`ere’s “The Hypocrite” (Tartuffe), “The Misanthrope” (Le misanthrope) and “The Miser” (L’avare) are still authoritative today. He also was a major translator of Maupassant’s “Boule de Suif”, and “The Necklace” (La parure). As “Love and duty” was published in 1921, it was probably one of his first French book translation.

Cai Yuanpei / 蔡元培

Foreword for the book version of “Love and Duty” was written by Chinese philosopher and politician Cai YuanPei / 蔡元培. Having studied in Leipzig University until 1907, he became minister of Education in 1912 then President of Beijing University in 1917. Supporter of usage of common language or “Baihua” in litterature, he was an inspiration for the May 4th movement.

Finally, the proof reader of the book was none else than famous Shanghainese writer Hu Shih / 胡适 who was also Chinese ambassador to the US. He also advocated the usage of “Baihua” in litterature and was an inspirer for the May 4th movement.

Hu Shih / 胡适

Although difficult to prove, it can be assumed that Horose organized a cultural and literary salon at her home in Beijing. This kind of salon was very common in Jewish communities in Central Europe and Horose being originally from Poland surely had heard or seen some. This is somewhat similar to Hungarian Jewish Bernardine Szold Fritz , whose salon that took place in Shanghai in the 1930s (see post Bernardine’s Shanghai Salon).

Bernardine Szold Fritz also had connection with Chinese cultural and literary people, in particular with writer 胡适 / Hu Shih who did proofreading for Horose’s “Love and duty” . Maybe they met through him, maybe Horose even took part to Bernardine’s salon during one of her many trips to Shanghai (see post “Horose in Shanghai” for more details). In any case, both women were central to cultural life, one in Shanghai, the other one in Beijing.

Horose in Shanghai

After having looked into the Ruan Lingyu movie “Love and duty“, I discovered that the movie was made from a book also called “Love and duty” written first in French by a French-Polish author living in Beijing, and then translated into Chinese. (See post “The story of Horose or Stephanie Rosen-Hoa” for more details). While Horose was mostly living in Beijing, and sometimes Paris, this article focuses on her relationship with Shanghai.

The book “Love and duty“, by Horose or Stéphanie Rosen-Hoa was a bestseller in China. It was first published as a 8 parts series in the literary magazine of Shanghai based Commercial press 小说世界 (The World of novels) in 1921 with 羅琛華 as the author. Commercial Press then published a book version as “恋爱与义务” in 1924, which was a great success. The English version was also published by Commercial Press in 1926 (for more details, see post: “Love & duty, the book“).

During all that time, Stéphanie Rosen-Hoa was living in Beijing with her husband Hua Nangui / 华南圭 who was originally from Wuxi and her two children. Hua Nangui designed and built their house in Beijing in 1914, using a combination of Chinese and Western style.

Picture of Horose in from of her family house in Beijing, curtesy of Catherine Hoa.

Commercial Press was headquartered in Shanghai, so she must have to down South from Beijing to negotiate the publication of her books. At that time, trips from Beijing to Shanghai took either the boat from Tianjin harbour, or the Peking Express. Although there are no real traces from those travels, one can assume that Horose would come to Shanghai once or twice a year.

Below picture is an advertising for Commercial Press books, published in JB Powell’s China Weekly Review on 12th Feb 1927. One can assume that the books listed were the best sellers of Commercial Press at the time. It is amazing to see Love and Duty juste next to Lu Xun’s “The true story of Ah Q”, of which English translation was published in 1927.

Ad in the China Weekly Review – 12th Feb 1927

As mentioned by Kristine Harris in her article : “Ombres Chinoises, split screens and parallel lives in Love and Duty”, “By 1930, the novel had gained broader name recognition among urban audiences, the Commercial Press had already issued three impressions of the English version and four of the Chinese version.” Lou Mingyou, the future director of the movie, read the book and contacted the author. Horose was hired as a consultant for the movie that was released in 1931. During that time, she probably spent much more time in Shanghai, as the movie studio were located in the city. I did not find traces of contacts between Horose and the French community. Probably they were few, with the French community kept away by the language barrier from the Chinese and English literary success that was Love & Duty, as well as lack of interest into “Chinese things” from the French community in general.

The only link with the French Concession that I found is that most of the outdoor sets for the movie Love and Duty where located in the French Concession. They were all located around freshly built properties of the FONCIM (Société Foncière et Immobilière), the real estate subsidiary of the French run International Saving Society, the highly successful life insurance company headquartered in Shanghai. Although it may be random, one can also assume that Horose got somehow in touch with FONCIM management to use those locations and feature them in the movie.

As Horose fame grew in China, she started to give talks that were advertised. A few of them were mentioned in the Shanghai English press. The North China Daily news in the 10th December 1933 edition published a short article mentioning that Horose was in Shanghai on that date, presenting her new book “Double Chains” in Chinese. It also mentions that “she is later to collect material in Nanking for another book. This is expected to be called “Through the Great Wall” and will be published in Paris.” That book was actually published under the name “La muraille de Pékin `a Paris”, in 1929 in Paris.

Double Chains by Horose, Chinese edition

The last article found was published in the China Press, on 2nd June 1936. It mentions the conference given by “Mme Kuai”, further named as “Mme L Rosen-Hoa Nan Kuai” to the WCTU (Women Christian Temperance Union). Horose is introduced as “the author of He & She, Double Chains, Love & duty and book of essays. Her husband who is an engineer translates them into Chinese.”

Horose went back to France in 1937 and only came back to China in 1966, before passing away in Beijing in 1970. For more details about her life, please go to post “The Story of Horose, or S. Rosen-Hoa“.

Ruan Lingyu: Her Life and Career

While writing first post about Ruan Lingyu (阮玲玉) “Love and duty” movie, I received some information about a new biography of the movie star. Now already a year old, this short but intense book gives an in-depth understanding of the star career and life. At the same time, it brings a lot background information about cinema in Old Shanghai.

Ruan Lingyu was born in 1910 in Zhujiajiao, a Shanghai suburb, in a Cantonese family. She grew up in poverty. The family later moved to Pudong, where her father died in 1916. In similar way to some of Ruan Lingyu’s movies, her mother had to leave her under the care of an aunt to take a job in the city. Her fate changed when her mother was hired by a the Zhang family of wealthy Cantonese and could live on the premises. Thanks to their connection, she was able to get an education along with wealthy Cantonese at Chongde Girl School on Avenue Road (today Beijing Xi Lu). Her passion for the performing arts grew with time. While staying at the Zhang house, she got in a relationship with Zhang Damin, the spoiled son of the Zhang family who became addicted to gambling. As the Ruan Lingyu and her mother were later expelled from the house, she started to live together with Zhang Damin.

Her first movie was “Husband and wife in name” (1927). Chinese cinema was still less popular than foreign movies by then, and movie actress was not regarded as a good profession, but Ruan Lingyu got a start in her career from this movie. In 1928 White Cloud Pagoda, she played along upcoming star Hu Die and started to become famous. In the meantime, her gambling husband was loosing her money away.

Love and duty original poster

Her big move was to join the new Lian Hua movie company (United Photoplay in English). Movies like “Spring Dream in the old capital” (1930) and “Love and duty“(1931) were big success. Ruan Linguy’s career peaked with two master pieces, ‘The Godess”(1934) and “New Woman”(1935). At that time, she was a superstar. Unfortunately, this did not solve her personal issues and she committed suicide in 1935. Her burial was attended by an enormous amount of people and was published all over the World.

Huan Lingyu burial

In his book, Patrick Galvan gives a lot of details about the life and films of Huan Lingyu. It also brings a lot of background information both about the film companies (in particular Lian Hua) and Shanghai cinema in 1920s and 1930s, as well as about the politics influencing Chinese movies at that time. It includes the complete list of Ruan Lingyu’s movies, many of which are now lost. Surprisingly, there is no mention of the special circumstances of “Love and duty” that disappeared for decades and was found back in Uruguay in the 1980s.

Although a short book, it is very detailed and is best read after having studied the topic a bit. One of the good preparation for reading the book, is 1991 movie “Center stage” about the life of Ruan Lingyu.

This post is part of thread about Ruan Lingyu and “Love and duty” both the movie and the book. For the full thread, go to post “Love and duty (part 1)“.

The story of Horose or S. Rosen-Hoa (Part 2)

The post is the second part focused on author Horose or Stéphanie Rosen-Hoa. To access Part 1, follow this link.

Stéphanie Rosen-Hoa, also known as Horose or 羅琛華, settled back in Paris in 1926 with her two children, Leon and Simone Hoa. During her stay, her first book in French “La muraille de Pékin à Paris” (The Beijing Great Wall in Paris) in 1929 by Argo, a small publishing house. She managed to get noticed by several newspapers. An article from local paper “l’Avenir de la Touraine” from 11 November 1929 explains that author is a French/Polish lady who married a Chinese and went to live in China. It adds that the book offers a true and interesting picture of the real China including many anecdotes. A few lines with similar comments were also published in in the “Le Bien Public” (Dijon daily), on first Octobre 1929, as well as in “Les dimanches de la femme” (Women Sundays) on 23rd feb 1930.

She returned to China in 1928, leaving her children to be educated in France. In the same year, she published novel “Him and her” in Chinese.

“La symphonie des ombres chinoises” is the French version of Love and Duty. (see “Love and Duty, the book” for more details about the various editions and translation of this particular book). It was published by edition de la Madeleine in 1932, 11 rue Tronchet, a different publishing house from the previous book. I found a copy in an olnine bookstore.

The book forewords end with “Written in Beijing, reviewed in Paris and finished in Geneva” 1932. S Rosen-Hoa definitely took a trip back to Europe in 1932, publishing an article about “Chinese women” in June 1932 in the montly magazine”L’ Egyptienne” and giving a conference about the condition of women in China at the same period at the Lyceum theater in Paris. She is mentioned by the magazine as “famous novelist Horose”. She also was still in Paris on 16th February 1933 as she was a speaker in a conference about China and Japan.

S. Rosen-Hoa in 1932

Her son being educated in France came back to China for a visit in 1934. She published the novel “Double practice” in Chinese in the same year.

In 1937, as Japan was invading part of China including Beijing, S. Rosen-Hoa went back to France, probably to escape the war. Hua Anjin followed her in 1939. We have very little information about their life in occupied France, but the refuge from the war that they were probably seeking did not last long. Jews in France were also persecuted and many died in Nazis concentration camp, but S. Rosen-Hoa seemed to have escaped it.

She was still living in Paris in 1947, as she wrote a congratulations letter to novelist André Gide who had just received the Nobel price for literature. It is clearly stated that she was living in the same building as André Gide, 1Bis Rus Vaneau in Paris 7th district, near Invalides.

1Bis Rue Vaneau in Paris 7th district

Her husband Hua Nangui returned to China after the war, along with her son Leon who had become a famous architect in France along with his French wife. S. Rosen-Hoa published one last book in France, “Nos sangs mélés” in 1957. Hua Nangui passed away in Beijing in 1961, not having met his wife since his return to China.

S. Rosen-Hoa went back to Beijing in 1966 to a China very different from the one she had left nearly 30 years earlier, as the communist party had taken power in 1949 and applied many changes to society. She passed away in Beijing in 1970. Her grand daughter 华新民, still lives in Beijing. I had the opportunity to meet her while she was on a trip to Shanghai. This is related in post “Meeting with Horose grand daughter“.

Love and duty, the book

Ruan Yinglu movie “Love and Duty” has been the theme of several posts on this blog, focusing on the movie itself, but also on film locations (To read the thread from start, go to post “Love and duty (part 1)“). The 1931 movie was produced by United Photoplay Service, or a 联华影业公司 in Chinese for the Chinese market. It briefly mentions a foreign novel in the opening session, which attracted my attention.

“La symphonie des ombres”


Although it is only shown for a short while, it is very clearly written “Adapted from Madame S. Rosen Hoa’s Novel << La symphonie des ombres >>”. This is very strange as the text is in English, but the name of the novel is in French. What is even more surprising is that Lian Hua film company was close to Chinese patriotic ideas of the time, but based one of its most famous movie on a foreign novel.

Love and duty was first written in French by author Horose or S. Rosen-Hoa. According to Catherine Hoa (Horose grand-daughter), it was translated in Chinese by Zhao Zu Min / 赵祖欣, unlike other books from Horose which were mostly translated by her husband Hua Nangui / 华南圭. It was first released in 恋爱与义务, that can be translated as “Love & Obligations” or “Love and Duty”, as a 8 parts series in the literary magazine of Shanghai based Commercial Press 小说世界 (The World of novels) in 1921. The author was indicated as 羅琛華. A book version was then published by Commercial Press in 1924.

Chinese cover of Love & Duty

The book was a great success and was then published in English as “Love and Duty” by commercial Press in 1926. The author was written then as Ho-Rose. The book in English was also a great success and was reprinted several times, at least in 1927 and 1929. In 1931 the book was turned to movie “Love and duty”, with the success that we know. The theme of the book with its rejection of traditional values definitely matched the spirit of the UPC and the May 4th movement.

Original Love & Duty in English

“La Symphonie des ombres Chinoises” (symphony of Chinese shadows) was published in 1932 , by Editions de la Madeleine, 11 Rue Tronchet, Paris under the name of S. Horose.

Although there is no reference in this book about the Chinese or English edition, nor the movie adapted from it, the story is very similar to the movie. Characters have similar names and the author mentions that she had a successful writing career in China. There is no doubt that this is mostly the same book, with maybe some minor changes.

Interestingly, the French title has little to do with the original English or Chinese title. It is also slightly different from the one displayed in the movie credit as it did not include the “Chinoises” word. It was definitely added at the time of publication in France, emphasizing the China theme of the book and probably trying to capitalise on her previous book published in France which was focused on the cultural differences between the West and China. (See post “The Story of Horose or S. Rosen-Hoa part 2″ for more details”).

The introduction to the French edition includes a long part where the author complains that French people or the French authorities have no idea about China. She also complains about stories written by French authors and journalists about China that are often inaccurate or sometimes totally false. Although written in the early 1930s, such comments are unfortunately still valid today.

The book was mentioned in several newspaper article, including in Art review “Septimanie” in the 1st June 1933 issue and in daily “L’homme libre” from 12th July 1933. She also was invited for a few conference about China at the same time, but the book did not reach the success it had in China.

For more details about the movie “Love & duty”, please go to post “Love and duty (Part 1)“. The life Horose / S. Rosen-Hoa is explored in post “The story of Horose / S. Rosen-Hoa“.

Looking for Love and Duty

The 1931 movie “Love and Duty” (恋爱与义务)was a great success in 1930s Shanghai. It was the first big movie with actress Ruang Linguy who would become the superstar of Shanghai cinema, until her suicide in 1935. I have written several posts about some of the location where the movie was made in Shanghai (see post “Love and Duty” for more details). This post is showing the video that was made of the location search.

You will find more information about Ruan Lingyu, the movie “Love and Duty” and film locations in posts “Love and Duty” Part 1 and 2.