Tag: Maggie Cheung

25 years of In the mood for love

Following the success of his TV series 繁花/Shanghai blossoms early 2024, Wong Kar-Wai’s movie “In the mood for love” or “花樣年華” as been re-released in China this February. 2025 marks the 25th anniversary of the movie, that is shown in restored director’s cut. This is a great opportunity for many young Chinese people to view this great movie.

The 2000 Cannes Festival Palme d’Or has not lost any of its beauty. The light and pictures are still incredibly beautiful. The tender play of actress Maggie Cheung (also staring in the movie about Ruan Lingyu “Center stage”) and actor Tony Leung is still touching the spectator.

Great lights and qipao

Set in Hong Kong in the 1960s, In the mood for love tells the story of an impossible love between both characters. Although filmed in Cantonese, the movies also includes Shanghai speaking sub characters, showing the extend of the Shanghai diaspora in Hong Kong at that time, in which director Wong Kar-Wai grew up. The movie is also famous for the 20 something qipao / 旗袍 also called Cheongsam / 长衫 in HongKong worn by Maggie Cheung. They were all made by an Old Shanghai master, underlining the link between the movie and Shanghai.

Last but not least, the amazing music from Japanese composer Shigeru Umebayashi stays with the viewer long after the end of the movie. In the mood for love is one of my favorite movie and does not seem to age even if I did not understand dialogs in Cantonese (subtitles are only in Chinese for this release in China).

Center Stage / 阮玲玉

Actress Ruan LingYu 阮玲玉 was one of the main star of Shanghai cinema in the 1930s. Shanghailander.net’s series of blog posts about her 1931 movie “Love and duty” sparked interest in the readers. One of them pointed me to the 1991 Stanley Kwan Hong Kong movie “Center Stage” or 阮玲玉 (Ruan Lingyu) in Chinese.

Center stage 阮玲玉 / Movie poster

Center Stage is focused on the life of actress Rang Lingyu, from the time she became an actress for the Lian Hua studio in 1930.

Stanley Kwan Hong Kong movie mixes biopic like scenes with cuts from the two remaining original movies (The Godess 1934 and New women 1935). It also adds interviews from people who actually knew Ruan Lingyu, and of some of the movie cast. Maggie Cheung is fantastic at interpreting Ruan Lingyu’s sensibility.

Maggie Cheung playing Ruan Lingyu

One of stunning feature of the movie is that various actors speak different Chinese dialects to each other. Ruan Lingyu, as many people of the Lian Hua studio speak cantonese. Other characters speak mandarin or Shanghai dialect, but they all seem to understand each other somehow.

A number of surviving pictures have been studied to recreate the original scenes. Enormous work has been done on the architecture, art, fabrics and objects of the time. The art deco mansion occupied by the Lian Hua studio feels like a Shanghai villa, just like the dance club is clearly inspired by Shanghai’s paramount.

Great decors creating the atmosphere

Although not so well known in the West, the movie was well received by critics, with Maggie Chueng earning a Silver price for acting in Berlin festival in 1992. It is definitely a must see for Old Shanghai lovers. Too bad “Love and Duty” was only found and restored after “Center Stage” was made, that would have been a great match.

For more Maggie Cheung movie related to Old Shanghai, see post “25 years of in the mood for love“.