French police accommodation

Police accomodation on Huai Hai Lu
Police accommodation on Huai Hai lu

The building pictured left is one of the most viewed old building of Shanghai, though it may not be the most looked at. Located at the corner of Huai Hai Zhong lu (former avenue Joffre) and Baoqing lu (former route Pottier), its architecture really stands out but it is dominated by the opposing and much more visible art deco building. Its architectural style is quite unique in Shanghai, I once read that the architect was from Marseille and that it is clearly similar to some buildings of this city.

This corner of the former French concession was once the location of the Foch police station, one of the five police stations of the French authorities. The actual police station is long gone (a sky scraper stands in its place), but I found the below old picture on the internet. Being next to the police station, this building had a very specific function, it was designed to accommodate the police officers working at the police station. As far as I know, the building inhabitants are still police officers to this day. The building is still in a good shape, despite the usual DIY modifications, in particular the closure of some of the balconies. I have noticed this particular building since I first came to Shanghai in 1998 and I thought it was unique in Shanghai until recently. It turns out that it is not.

Police accomodation with Joffre police station
Police accommodation with Foch police station

Apart from the Foch police station, the French concession had 4 others, covering the whole area of the concession. The most well known is probably the police station Mallet, a large Art Deco building near the Bund, which is still a police building. The Pétain police station one was located at the bottom of Heng Shan lu (the former avenue Pétain), there is still a police station in this area, but I am not sure it is at the same location. The Joffre police station was located next to the fire station on Huai Hai lu (former Avenue Joffre, near Xin Tian Di). This particular building has been under renovation since a few years, and a French luxury brand should open its flagship store in it.

Police accommodation on Jiang Guo Lu
Police accommodation on Jiang Guo Dong Lu

The main police station was the Central Police station on Jiang Guo Dong Lu (former route Stanislas Chevalier). It was the headquarters of the French police, at least until the Mallet police station was opened. The large building was also the seat of the mixed court, the special court with a French judge and a Chinese judge seating together. Although it was covered up by an ugly entrance and somehow horribly modernized a while ago, it appears that the original structure is still in place. Moreover, renovation work has started a few months ago and it seems the final result will look like the old pictures. This is where I found copies of the building on Huai Hai lu (see picture).

The twin building
The twin building

The Huai Hai lu version has the main decorated facade facing North and visible from the street, making it very distinctive. On the Jiang Guo Dong Lu one, the decorated facade is also facing North, but the street side is on the South side, so the facade is only visible if you get into the courtyard. There are in fact two buildings surrounding a garden.  Both buildings are identical, but they are not exactly the same as the one of Huai Hai Lu which is a little wider with a much wider roof. However colors, balconies and decoration details are extremely similar, making clear that the same architect did them all, with surely the same purpose of accommodating police officers, which I believe is still the case today.

Shanghai Cinema Studio

Shanghai Cinema studio had been on my visit list for a long time. The studio is famous to host a rebuilt version of Old Shanghai and was the film location for for period movies and TV series, including “Lust, caution” and “繁花 / Shanghai blossoms“, as well as , “Shanghai Shanghai” and “The last tycoon“. It takes a long drive to reach the location in SongJiang but the trip is well worth it.

Shanghai Cinema Studio
The fake Nanking Road

The most impressive sight is surely the small strech of rebuilt 1930’s Nanking Road. Centered around the corner of Nanjing Dong Lu and Zhejiang Lu, the side includes a fake Wing On store, a fake Sincere store and and a fake Sun Sun Store. Picture perfect with period signs and tramway karts driving around, it really gives the atmosphere of time travel. The ground floor of the buildings is well replicated, with the higher floor being rebuilt on a smaller scale, a normal feature of movie sets and backgrounds. Walking around there feels very much like walking in an Old Shanghai postcard. Only missing would be the hundreds of people that normally go around this very busy part of the city.

Tram in Old Shanghai
Tram in Old Shanghai

The picture would not be complete with the tramway, with the short ride being the only way to ever experience tramways in Old Shanghai. The tramway shakes and feels just like a real ride in the city, with the noises and motions I used to experience on the oldest lines of Budapest network. Watching the tramway going up this fake Nanking Road really adds up to the atmosphere.

Shanghai other iron bridge
Shanghai other iron bridge

The rest of the cinema studio is also made of various buildings mostly copied from Old Shanghai. They include a copy of the Moller Villa on Shaanxi Nan Lu, the Hudec building located on Feng Yang Lu and one of the Wing On Extension on Nanjing Dong Lu. There is also a copy of the New World Building that used to be at the end of Nanking Road, now replaced by the (not so nice) New World Shopping center. I was expecting to find a copy of Shanghai’s iconic Garden Bridge, but only found a copy of the other iron bridge that is further up the river. Most of the other buildings are not actual copies, but they fit the general style of the period including the church. It seems very popular for wedding pictures though I don’t think such a church was actually ever built in Shanghai.

For movies filmed in the Shanghai Film Studio, please follow posts “Lust, caution” and “繁花 / Shanghai blossoms“, as well as , “Shanghai Shanghai” and “The last tycoon“.

A trip to old Rangoon

Sule Paya at night, Yangon
Yangon main street at night

Arrival in Yangon (Rangoon) at night woke back many memories of other cities frozen in time. The first contact reminded me of arriving in Saigon in 1998. Same trees, same roads and mostly 1980’s Japanese 10th hand cars around. The cars falling apart with wheel on the wrong side reminded me of Cambodia in the late 90’s. I was expecting the former British colony to have right hand side driving like its neighbors. Just like Old Shanghai did in the mid 1940’s, driving direction was changed in Burma (Myanmar) in the 1970’s. In any case, if the airport drive at night had led me to the Caravelle hotel in Saigon instead of the Trader’s hotel in Rangoon, I would not have been surprised at all.

Colonial building, Yangon
Colonial building, Yangon

The morning of the second day visiting Rangoon reminded me more of the Hanoi of the late 1990’s. Walking around the Kandawgyi lake with the Sedona hotel overlooking it, felt just like Hanoi’s West Lake hotel in my memories. On the river front, Strand Road reminds of the Shanghai Bund with the customs house on the waterfront and the main bank as well as the main hotel (The Strand Hotel) next to it. Today’s Strand Road looks a lot like picture of Shanghai Bund in the 1920’s, before Art Deco towers like the Sassoon House (peace hotel) and the Bank of China were built.  The back streets with trees growing between the buildings look a lot like Hankou (today’s Wuhan) former French concession. Many people eat in the streets in Rangon. They have early diner from 5 to 7 or 8 PM sitting on colorful plastic chairs, eating noodles, curries and meat skewers. The same plastic chairs I used to sit on about 14 years ago in Saigon.

Most of Central Rangoon (Yangon) has been left more or less untouched since the 60th. Although a lot of construction went on in the 50’s and early 60th, style was kept in line with the colonial architecture. Most buildings have been left untouched for decades, with some of them being now renovated. Walking in the streets by daylight gives a nice view of the buildings with various forms and styles. Night time in Yangon is also very nice as there is little activity. The low lights and old buildings create an atmosphere that is charming and very unique. At the same time, it is very clear that redevelopment of the city has already started. A number of colonial buildings have been replaced by new towers and the process will probably accelerate with the recent political changes in the country. Just like other cities in South East Asia, Yangon (Rangoon) will surely transform in the next years but hopefully it will retain its charms and history. In any case, now is probably the best time to visit. This stay in Yangon (Rangoon) was part of a trip around Myanmar (Burma) that has been quite incredible. Although poverty in the country is striking, there is a warmth with Burmese people like nowhere else in Asia and the country is stunningly beautiful. More picture about this trip can be found at: http://www.flickr.com/photos/24266052@N00/sets/72157629302498231/

Abelardo Lafuente, Shanghai Spanish architect

Old Shanghai was a place where people from many origins came to, including architects. Added with a long construction boom, this created the patchwork of architectural styles that is still visible today. The most famous architect firms of Old Shanghai were Brits Palmer & Turner, French Vesseyre, Leonard & Kruze and Hungarian Hudec Laszlo. Besides them smaller firms such Minutti (Switzerland), Gonda and Matrai (Hungary), Atkinson & Dallas (US). There was also a number of Chinese architects that designed buildings mostly from the 20s, including Poy Gum Lee.

A new one has recently got a lot of attention, Spanish architect Abelardo Lafuente. Thanks to the research of Shanghai-based Spanish architect Alvaro Leonardo, Abelardo Lafuente’s work and story was uncovered, carefully stored in Spain within Lafuente’s personal stuff.

Alberado Lafuente

Abelardo Lafuente was born in Madrid in 1871. Following his father who became the municipal architect of Manilla, he moved to the Philippines with wife and kids. Abelardo also became an architect in Manilla but most of his work was done in Shanghai after moving in 1913. He quickly made a partnership with G.O. Wooten, introducing “Mozarabic” or Moorish-Andalusian style to Shanghai. Only few of those buildings still exist, including the former Star Garage on Nanjing Xi Lu (picture further down) and the former Jewish Club next door. The master piece of the style is surely the Andalusian villa on Du Lun Lu, that is still standing. 

Abelardo Lafuente then operated alone and was in great demand for interior design, creating the ball room of several hotels. He worked for Kadoorie family Hong Kong and Shanghai Hotel Company, designing one of the extension in 1917 of the Astor House Hotel and then renovating it in 1923 (this can still be visited). He also carried a major transformation of the Majestic Hotel on Bubbling Well Road in 1923 (around of the same place as current CITIC Square on Nanjing Xi Lu).

Astor House hotel ballroom

Being the only Spanish architect in town, he also made a design for the Jai Alai building in the French Concession at the corner of Avenue Joffre (Today corner of HuaiHai Lu and Shaanxi Lu, at the place of the Paris Spring shopping mall), although it is not confirmed if his design was finally constructed. Lafuente also created film theaters for the Spanish business man Antonio Ramos who introduced cinema to Shanghai and a few villas including the former Soong villa, today’s home to Sasha’s restaurant at the corner of Avenue Pétain and Rue Francis Garnier (today HengShan lu and Dong Ping lu). 

When Lafuente went to the USA in 1927, one of his draftman, Russian architect Alexander Yaron, was made partner and kept the office running. Although Lafuente designed buildings in the USA, the 1929 crisis stopped his effort there. Without much money, he tried to return to Shanghai, first stopping in Mexico and finally reaching Shanghai in 1931. He died only a few months later of pulmonary disease probably caught in Mexico.

Lafuente exhibition poster 2011

Abelardo Lafuente’s style was unique in Shanghai. An exhibition about him and his work in Shanghai was organised at South Bund 22 in December 2011. It was organised by Alvaro Leonardo and the Spanish Cultural Center in Shanghai. Details are provided in the invitation on the left hand side.

More recent information about Abelardo Lafuente can be found on the page of the Abelardo Lafuente research project page.

Abelardo Lafuente’s supporters work helped increase his fame back in Spain, as shown by a large article in major newspaper El Pais. Here is a map with all the major work from Lafuente in Shanghai.

Somebody finally got it

Master house on Weihai lu
Master house on Weihai lu

Having lived in Shanghai for more than 6 years, I have seen a clear evolution of the vision of Shanghainese people and the Shanghai municipality. A few years ago, only foreigners were complaining about the destruction of the Shanghai architectural heritage. The fashion was about new, new, new and the past and its remains had no importance whatsoever. Shanghai was supposed to become another version of Hong Kong and Singapore where only a few trophy buildings remain within the everlasting paradise the skyscrapers and other “high level real estate developments”, i.e. brand new building of average quality, lots of marketing and nor more personality than the neighbor.  I have seen the evolution with a few of the main buildings being kept away from demolition by the municipality, but the EXPO has clearly accelerated the process.

First of all, most Shanghai facades have been now renovated. This is often limited to the front row of a lane and not always of best quality, but it is clearly a step forward. The face lift given to building gives a much better look to the city and will show to the inhabitants that old does not mean necessarily shabby. Until now, the renovation is mostly limited to the exterior, but I am sure that it will extend to the interior as well.  In other part of the world well built and maintained buildings can survive through the ages, while being transformed for various usage.  Like in Europe in the 1960’s I hope this will be a turning point for Shanghai.

Brand new information
Brand new information

Secondly, plates and explanation about local history have been put in a number of places just before the expo. Besides giving information to tourists, they also have a lot value for the local people. They are often extremely surprised to learn that the old rotten shag where they think they live in, is actual a wonder of Art Deco or neo-classic architecture.

Thirdly, the whole image of 1920’s and 30’s Shanghai has changed in a few years, thanks to a large number of articles and TV programs about the topic. I always find it kind of funny when I see a sign celebrating the 100th anniversary of various things in Shanghai (transport systems, parks, hospital, university) where no mention is made that actually often foreigners brought these novelties to Shanghai.  Once a taboo or forgotten period, old Shanghai is now a common topic of conversation and of pride for Shanghainese, at least some of them. At the same time, the image of foreigners in this period is also changing as Shanghai revisits its own history. Last but not least, the whole image of the Republican period is also changing slowly at least in Shanghai.

Master house engulfed
Master house engulfed

Finally, more and more buildings are being protected. One of the latest turn seems to be to keep of the old while building new. In the development I have seen in the past, all buildings on the site were destroyed. During construction, a master house was often built first with a very large garden around, as ground was cheap then. A few years or decades later, the owner would sell part of his garden for a very high price, as the city had extended and a shikumen would be built. The master house would be engulfed into it and is often still there, lost in the middle. The new trend in real estate development is to keep this master house while destroying the shikumen around. In Jing An district where I work, there are 3 massive real estate development that started with destroying the shikumen on the location but keping the master house. I guess they will use it as the club house, taking advantage of the space offered while adding value to the compound. In one of them (picture on the top), the master house as even been moved 100 meters towards Wei Hai Road to give space for real estate development and preserve it at the same time.

This form of preservation is clearly a new trend and probably imposed by new regulation on the developers.  Old buildings will become more trendy and more expensive, fueling investment in this new segment. Somebody finally realized how to combine profit and heritage preservation in Shanghai and this is great news.

Collège Municipal Français

The original Cercle Sportif Francais

Most people interested in Shanghai history know about the “Cercle Sportif Francais”, the current Okura Garden hotel on Maoming lu. The French Club as it was called in English moved to this brand new building in 1926, from its original location on Route Vallon (today’s Nanchang lu). The very large building previously used was then allocated to house the French High School or “Collège Municipal Français” in French.  The garden of the Collège Municipal Français extended all the way to French Park, i.e. today’s Fuxing Park. Unfortunately the park has been separated from the building and a wall is now separating them. It would be extremely difficult to take the same picture again.

Shanghai Science Hall

I managed to get into today’s Shanghai Science Hall on Nanchang lu, the building that was the old Collège Municipal Français. It is not a high school anymore, but a building dedicated to science studies. As such, it is sometimes difficult to enter  as the guards are not happy to see foreigners coming in. The side on Nanchang lu is oriented towards North. The much nicer facade is oriented toward the South, overlooking the park. Like in many buildings in Shanghai, a south orientation allows to get some light and warmth in the gloomy winter.  With the large space this building is very cold in the winter, like most buildings in Shanghai. I have not seen a real heating system in place, but the may have been one when it was built.

One of the most interesting feature is the art deco stain glass in the hall way (see picture left). Stain glasses were very much in fashion when this building was erected, as found in a number of building in Shanghai. This one is the largest I have seen in the city. I have tried to take pictures of it before, being chased out by the guard… but today was my day of luck. The stain glass is not noticeable from the outside, but really nice from the inside. Although it has been clearly repaired in some parts, it has crossed time and Shanghai history while being well preserved.

up the stairs

Among others, two famous authors attended the teaching of the Collège Municipal Français, Rena Krasno and Liliane Wilens. As explained by the later when we met (see post “a date with Liliane“), students of the Collège Municipal Français were French children and other foreigners, as well Chinese from Shanghai upper class society. Located in the heart of the French Concession, the Collège Municipal Français was very near to some famous residential areas such as Rue Lafayette (today Fuxing Lu) and Avenue Pétain (today’s Heng Shan lu). Since the building was not originaly designed as a school but as an entertainment club, it became a school with a wonderful design, surely giving life long memory to the children who went to school there.

This location was also the seat of the original Alliance Francaise de Changhai, teaching French to Chinese students just like it is today on the Wusong Lu campus. This very large building is still in use without much repair and still has grand style and appearance. It is very well worth a visit if you can sneak in.

Farewell to JG Ballard’s home

jgballard_houseOne of the most famous film about Shanghai history is surely Steven Spielberg’s  “Empire of the Sun”, that I wrote about a few years ago . The movie from the 1980’s was the film version of the JG Ballard novel of the same name. Ballard spent his childhood in old Shanghai until the Japanese invasion of the International Settlement, on 8th December 1941. Although most people think that like in the book, he lost his parents in the crowd on the Bund. He did not get separated from them and was interned with them in Lung Hua camp from 1943 (thank you Liliane Willens for information on this point).

Ballard’s life and books have attracted a large crowd of fans who looked for his old house located in Columbia Road (today’s Fanyiu lu). Ballard was a famous British author and died in 2009 (see the Wikipedia article about him). The house was found rediscovered by fans a few years ago and was still in relatively good state after decades of neglect. It was visited by JG Ballard a few years ago and was supposed to be protected. Sadly, this house has been severly damaged recently by the latest occupant. Here is the link to the excellent article from British Daily “The Telegraph”.

Anybody witnessing Shanghai destruction of its architecture heritage should be surprised about, as the same thing is currently happening with most the buildings in the Bund area and many others. I think the saddest part of the article is the interviews in the report. Still, this is a great loss.

Classical Buildings of Shanghai

Book Cover
Book Cover

I am always curious about new books related to old Shanghai, and this new one was no exception. Surprisingly, I found it out of my usual circle, in a small shop in Tai Kang Lu. I later checked places like Garden books, but it was not on sale there… or maybe it is already out of stock. Although I was first impressed by the printing quality and the appearance of the book, reading it led to a less enthusiastic judgement.

There are definitely good points with this book, starting with the cover. The mosaic of small pictures is an eye-catcher and printing and paper quality are very high. This definitely makes a good coffee table book. Some pictures are quite recent, with others from the 1990’s. It is actually nice to see how some buildings actually looked before some disastrous renovation (like the red house on Hen Shan Lu), or invasion of advertising (like Sincere Department store on Nanjing Dong Lu).  Some of these buildings have been nicely renovated since, so the picture in the book is not as nice as today’s reality. I also have found some of those pictures used previously on various website. This book is clearly not one of original photographs from one photographer, but a collection of already existing pictures. As the book was published in China, it is both in English and in Chinese making it a great tool for show Chinese friend why we love old Shanghai building so much. Moreover, at RMB 100 it is really affordable.

Unfortunately, I also found quite  a number of points that make this book miss the 100% score by far. First of all, there is no classification of the buildings, neither by period, location, style or architect firms. Yes the book has nice pictures, but a little bit of order would have helped to make style and period differences easier to understand. Moreover, the level of the description is quite inconsistent in particular in naming the buildings. Sometimes the 1930’s name is used, sometimes today’s name, sometimes… something in the middle. I am also wondering what motivated the choice of including a particular building or not. It is really surprising not to see Bund 18, Kee Club and many of the Art Deco buildings in the French area… nor Broadway Mansions. Anyway, it seems that the authors rarely venture South of Fuxing Lu, or even Huai Hai lu. The other major drawback is the English translation. Some of the parts are well written, but many are difficult to understand due to dubious translation. Furthermore, there are quite lot of omissions or inaccuracies… which also degrades the book overall quality.

At the end, this book is a nice for a coffee table. It is also great to show the beauty of old Shanghai to Chinese friends (with Chinese text) and is affordable… but don’t count on it for an in-depth study of old Shanghai architecture.

Paris Art Deco

Art deco Building in St Germain
Art deco Building in St Germain

Just like in previous post “Home sweet home“, I used my trip in France to look at French buildings from an old Shanghai point of view. The heart of Paris was mostly built in the mid XIXth century, thanks to the design work of Baron Haussman who redesigned the French capital. Paris new design with large avenues connecting train stations organized in a network gave inspiration to design of cities all over Europe (just like Budapest where I used to live and many others). It also inspired the design of American cities like Chicago in the early XXth century as well as Moscow with its huge avenues … and finally came back to Shanghai as a model for building today’s Pudong.

normandy-2000-01

Built on a ad hoc basis and constantly changing in a bit of architectural anarchy, old Shanghai was never planned in such a way. Although it was called the Paris of the orient, the similarities of town planning only goes so far as Avenue Joffre (today Huai Hai lu), that is indeed far from its model. However, Paris continued to be built in the 1920’s and 30’s at the same time as old Shanghai, here are a few examples of similarities. The first one to catch my attention was the building left that is located near St Sulpice in Paris Rive Gauche area.

Art Deco Building in Montmartre
Art Deco Building in Montmartre

Although it is not a triangle building like the Normandy building in Shanghai (picture right), they have a lot of similarities with the usage of red brick over 2 floors of stones as buildin g materials. The fist floors are both using large arches and a balcony it circling the top floor.

Willow Cour door frame
Willow Cour door frame

The second one is this art deco building in Montmartre. It did not specifically remind me of Shanghai art deco, apart from one important detail at the bottom right of the picture… the entrance door. Its shape is peculiar as it is non rectangular shape, but with cut angles instead. This shape is special enough to be remembered and I have seen it before in Shanghai, in Willow Court on Route de Boissezon (today Fuxing Xi Lu). Small detail, but clear similarity miles away from each other.

Meet the twin sister

I was writing about an old villa in recent post  “Portrait of an old neighbour”. Like many cases in Shanghai 1920’s and 1930’s, the developer did not built one house… but two next to each other. This house has a twin sister, actually located on 132 Route Kaufman, next to the original one at 130 Route Kaufman. I was mentioning in my original post that the building was of high quality and would make a great renovation. As it turns out that the sister house has been fully renovated and is in fact a well known bar, Cotton’s, located in the next house on the street.

Since both houses were nearly identical at origin, comparing pictures taken in both houses gives great ideas on how this old neighbor could be revived into today’s standard. At the same time, it also shows the extend of renovation and transformation that has been done to N132, the house that is now the bar. Most of the renovation was not done by the current house tenant, but a few years before.

The house porch has been little modified except with the addition of an external door. The front steps have also been changed for something shiny and new. Concrete floor (with probably the same circle shape) has been covered with wood floor.

The double wooden shutters have been replaced by a single one, that was probably easier to build than the original one. This also probably means that all windows frames have also been replaced.

Wood floors on all floors have been changed for new. Although the replacement is nice, is does not have the look nor the quality of the original inlay. As seen on picture left, the inside doors and door frames have old been for new and shiny. Looking at the state of the original ones in the non-renovated version it seems that a good cleaning and a nice wood varnishing would have allowed to keep the original doors that have sustained 80 years of mistreatment. In any case, the replacement fit more or less the original profile though they had a classical touch to a building that is definitely not classical style.

Addition of a classical touch was also done on the inside balcony. The original one was probably the same as next door… but surely not the current one. It’s interesting how the banister has been transformed by adding under it small colons that were not needed since they did not exist in the original staircase.

All in all, the renovation of 132 Route Kaufmann is not really museum class, as the material used do not really match the quality of the original. A different (and out of place) style has been introduced, putting pieces of classical castle style to a 20’s house. It seems the renovation was more following the fantasy of the owner than the original building. However, most of the original design has been kept, keeping the general feeling of the house intact and giving real atmosphere to the bar. One of the rare places with real firewood in Shanghai, Cotton’s was still one of my favorite hangout until it closed down in 2023.

While researching these two houses, I realized that there are about 10 similar houses in the neighborhood. They were all designed by French architecture firm Léonard & Veysseyre, built by the International Saving Society (ISS) and rented out by companies to house their managers. The house on 132 Route Kaufmann was inhabited by Carlos Lubeck, a director of the French Tram and Electricity company (CFTEE) (see post about the Lubeck family for more details).

The house on 130 Route Kaufmann was rumored to have been the house of Ma Ying-chi / 马英驰, the minister of Justice of Republican China (see post “Portrait of an Old Neighbour” for more details)