Book review Archives - Page 2 of 5

Taras Grescoe’s Shanghai Grand

Searching for “Shanghai Grand” on the internet leads directly to a Hong Kong action movie from 1996 set in Shanghai. Much more interesting is the new book from Canadian travel writer and journalist Tara Grescoe, focusing on the life and relationships of New Yorker writer Emily (Mickey) Hahn during her stay in Shanghai in the 1930s.

Many books have been written about Old Shanghai and not all of them are good or interesting. Although published in mid 2016, Shanghai Grand only came to the attention of Old Shanghai lovers based in Shanghai, when Grescoe presented his book during the 2017 M Literary festival in Shanghai. I have to admit that I was very skeptical about an Old Shanghai book written by an author mostly known for his work about public transports and World overfishing and who never spent more than a few weeks in Shanghai. The presentation itself was of high interest, while the book turns out to be one of the best written and best documented book about Shanghai in the 1930’s and some of its memorable characters.

Emily (Mickey) Hahn, and her gibbon Mr Mills

Shanghai Grand tell the story of the most crazy years of foreign Shanghai, the late 1930’s. Emily (Mickey) Hahn arrived in Shanghai in 1935, and through chances and connection got quickly in touch with Sir Victor Sassoon and the highest class of foreign society. As free and adventurous women, she defied conventions with her interest of the Chinese Society, that was exposed to her through her liaison with Chinese Poet Zau Sinmay (Shao Xunmei /邵洵美 ). The books centers on the love triangle between the three of them, while exploring Sir Victor Sassoon’s thoughts about the Shanghai political situation in those troubled times. 1930’s Shanghai was a booming city, but the party was abruptly interrupted by the Japanese invasion, Saturday 14th August 1937, that changed the city forever. Life conditions deteriorated rapidly and Emily (Mickey) Hahn left for Hong Kong, then taking a trip to Chongqing to write her first famous book, the Soong Sisters. She stayed in Hong Kong until repatriation in the US in 1943.

Instead of using local information and archives about the city, Grescoe focused on researching foreign based sources. He primarily used the hand written notebooks from Sir Victor Sassoon (now stored in a library in Dallas, Texas) that where previously unheard of by most people studying Old Shanghai. Another major source was writings by Emily (Mickey) Hahn for the New Yorker written during her time in Shanghai (1935 to 1939), her books written about China and the many letters she wrote back to her family as well as unpublished works, that Grescoe is probably the first person to have researched intensively.

Besides the main characters, Grescoe also cast a light on a few secondary characters that he managed to find new information about. Maurice “Two Guns” Cohen is definitely one of them as little was known about him apart from his work as body guard for Dr Sun Yat-Sen. Bernardine Szold-Fritz, who introduced Mickey Hahn to the Shanghai social life is also an exotic character (See post “Bernardine’s Shanghai Salon” for more details). The background of Shao Xunmei is exposed thanks to his relatives who are still in Shanghai today. The backdrop of the whole story, and nearly a character in itself it the Cathay Hotel (today Peace Hotel) on the Bund, an Art Deco jewel opened in 1929.

While researching the book, Grescoe also received support from Old Shanghai experts like Peter Hibbard and Andrew Field, as well as actually meeting with numerous authors of books about Old Shanghai or the life of his central characters. He also used a number of books written by Shanghai foreigners about their life in the 1930’s, most of them being mostly unknown or really difficult to find. The body of data collected is enormous and a large part of the work was surely to compile it, summarize it and cross references. Thanks to great writing skills, the result is a highly readable book that will satisfy readers that are not familiar with Shanghai history. At the same time, the depth of the research is a treat for Old Shanghai connoisseurs as the author has spread details and references all along the book, making it a great start for further research.

For further reading about Emily Hahn, Victor Sassoon and their circle of friends, see posts “The last kings of Shanghai” and “Bernardine’s Shanghai Salon“.

Borodin, Stalin’s man in China

Political instability, attraction for the orient as well as the protection of extraterritoriality attracted a large number of adventurers and shady characters to Shanghai and China in the 1920’s and 1930’s. Most of them came for the adventure, the money, or fleeing from justice, but some came for political reasons. Although mostly gone from history books, Russian agent Borodin’s years in China were the high points of his life as well as of highest importance for China. I had read his name in a few history books, but it took years to find and read his full biography, 1981 Dan N. Jacobs book, “Borodin, Stalin’s man in China”.

Mikhail Gruzenberg, best known as Mikhail Markovitch Borodin, was one of the most important Cominterm agent. Born in a small village in today’s Belarus, he managed to become a central figure in Riga’s communist party, working along Lenin during the 1905 failed revolution and participating in 1903 and 1906 Stockholm party congress. There he met Stalin, creating a relationship that would influence the rest of his life.

1906 failed revolution in Russia was followed by heavy repression. Borodin chose exile over prison and ended in London, before being sent to Boston and moving to Chicago. He then attended a low tier university in Valparaiso, Indiana for a short period before coming back to Chicago. He taught English for foreigners at the Hull House, the central point for immigrants communities in Chicago. 6 months later, he opened his own school, teaching English and practical skills in the evenings, while helping spreading communists revolution in Chicago during the day. Having not forgotten about the revolution in Russia, he simply waited until the right time came. In 1918, he was back in Russia to reconnect with his old friends. Being one of the few with extensive international experience, he became a Cominterm agent, in charge of spreading the Revolution all around the World. His first main mission was helping the revolution in Mexico, where he met Indian revolutionary M.N. Roy, coming back to Moscow in 1920. His second mission undercover in England ended with his arrest by the British police, and being expelled to Russia in 1923.

As attempts to spread the revolution failed in Europe, China became one of the points of attention for Moscow. Chinese Communist party was still very small at the time, so an alliance was brought with Sun Yat-sen and his Kuomintang party. Thanks to all his international experience and command of English, Borodin was sent as an envoy to Sun Yat-sen in Guangzhou with the aim of helping him becoming again the leader of China. With his skills and promises of Soviet military help that never materialized, he managed to run the Guangzhou government from the background. Among others, he played a pivotal role in creating Whampoa Military Academy , while putting many communists agents in Kuomingtang administration. However, soviet led communist revolution in China never took place, being stopped by Chiang Kai Shek (himself a graduate of Whampoa Military Academy) in 1927. Borodin barely escaped then but had to return to USSR with a massive failure, ending his extraordinary international career. Communists only took power in China in 1949 under the leadership of Mao ZeDong, but USSR was never able to control it.

The book is an in-depth research of the life of this mostly unknown and quite shady political adventurer. As interesting to read, as hard to find.

Final five Shanghai Walks

Books about old Shanghai are today numerous and one only needs to buy them to get information. In was not the case at my arrival in the city, in 2004. Old Shanghai was not far from being a taboo topic for most people Chinese and foreigners alike. In the age prior to social media (remember Facebook was found in 2004), information was difficult to find beyond the extensive but not so user friendly Tales of Old China. Some of the Tess Johnston‘s and Deke Erh’s books already existed, but they could only be found in a few places.

A lot has changed on that topic since and many books have been published on the topic in Shanghai and abroad. I mostly write about foreign languages books, but numerous books in Chinese have also been published. Old Shanghai has become fashionable, and the Shanghai municipality is really doing an effort for preservation. Quite a bit has been lost in the meantime, but Shanghai still has enough of its past to have seen the World Art Deco Congress come to it in 2015.

The most popular series of books about Shanghai is probably the Shanghai Walk series, started by Tess Johnston in 2007. Practical and insightful, the original “Six Shanghai Walks” was a real novelty, combining in-depth research and often unheard information in the format of walks lasting about 2 hours. This is the perfect format enjoy walking the streets of Shanghai, alone or in a small group. The book became so popular that 4 more followed over the years, taking visitors beyond the concessions to further parts of the city.

Last Thursday saw the launch of the latest walk guide book, “Final five Shanghai Walks”, an event organised by Historic Shanghai. This last book contains walks centered around famous and infamous people living in Old Shanghai concessions. They including American journalist and publisher JB Powell, Chairman of the Shanghai Municipal Council Tirling Fessenden, Chinese architect Robert Fan, movie start Ron LingYu and many more. This walk guide is the latest and probably the last of the series as Tess Johnston will be retiring to the USA later this year. Another reason to grab it and enjoy the walks, now that good weather is coming back.

Midnight in Peking

Journalist and author Paul French is one of the most knowledgeable person about Shanghai. Although he now has gone back to the UK, he spent years in the city commenting about both the old and modern side of it. He is the author of The Old Shanghai A to Z (See link to my post on the book), the definitive guide about street names in Old Shanghai. It was then surprising to read a book from him about Beijing. Unsurprisingly though, Midnight in Peking tells a story that happened in Beijing in 1937, in the foreign legation or it surroundings. The atmosphere of old colonial China is very much the background of the story, very similar to the atmosphere in Shanghai at the same time.

The book is focused on the horrible murder of 19 years old Pamela Werner. Her body was found on 8th January 1937, as the bottom of the fox tower, Dongbianmen today. Daughter of a former British diplomat that was one of the best sinologist at the time, her death was the center of the media attention for a while. Unfortunately, international politics and Japanese troops surrounding the city did not help to solve the case. It is also clear that although some effort was made to find the murderer, a lot of energy was spent by well placed people to make sure that the guilty ones were never to answer their crimes.

As in previous books, French had a lot of research into the matter, including archives from the UK diplomatic services as well as other countries. The original inquiry was made by DCI Dennis, the chief of the Tianjin Municipal police, and inspector Han from the Beijing police. Nobody, apart from them and the victim’s father, had any interest in the police finding the murderer. The whole British diplomatic circle was focusing on protecting the honor of Britain and its privileges, be it by protecting the worst of its citizen. As the inquiry starts to raise questions, they are moved away to make sure they don’t find anything. It becomes obvious that the local little clique wants nothing of its secrets revealed, some of them really being horrible.

The book is also a dive in the badlands of Beijing, a territory next to the foreign legations that was controlled by nobody, where about anything was going on. Prostitution, gambling, drugs, human abuse and worse, all of it was flourishing at a time when nobody was sure of anything about the future. Japanese armies were coming and some people were left alone, satisfying their vices in the most sordid ways. It is also a place where the top and the scum of the foreign community mixed together. Every city has a dark side, but Beijing badlands were darker than most.

Midnight in Peking is the tale of a period, that was the end of a world. Atmosphere was surely very similar in the Shanghai badlands, after Japanese invasion a few months later. The book takes us straight to it, just like a crime novel and also helps solving one of the great murders of Old China. A great read for Old Shanghai fans.

Night in Shanghai

Historical novels are a great way to get transported to the past. I have not had much time for my own research about Old Shanghai recently, but I still can find time for reading books about it. Having read a number of novels about Old Shanghai, like “The master of rain” or “Last seen in Shanghai”, “Night in Shanghai”was soon as on my list.

The novel takes an original point of view from the start as the main character is black American jazz player Thomas Greene, who ends up playing in the Royal, one of the Shanghai dance club. Jazz was the music of Old Shanghai and the city had many jazz bands. The most famous were brought from the USA, recruited by agents and sent all the way to China to play in the large ball rooms such as the Canidrome in the French Concession or the Paramount in the International Settlement. The story of these jazz band players has often been overlooked, making the novel stand out by choosing this main character.

Nicole Mones is a specialist on China and has clearly spent a lot of research on Old Shanghai. Historical facts are accurate and many secondary characters in the story were actual people. The book is the a great way to discover little known Russian composer “Aaron Avshalomov”, British envoy to help fixing China’s economy “Sir Frederick Leith-Ross” and many more. Old Shanghai nightlife is really well rendered, as well as the darkening atmosphere on the city coming with the Japanese invasion. Secondary characters, including crime lord Du Yuesheng are also coming to life in a very credible way.

Unfortunately, historical facts and characters often seem to have been added as matter of teaching the reader with little connection to the actual story. The flow of the novel is regularly obstructed by side plots and details that were surely very enjoyable to research and write about but add little to the action. In a same fashion, food and music are described in great details, but lacking explanation, feeling or taste. Moreover, characters tend to explain to each other points that would have been obvious for them in the historical context, seemingly as an explanation to the reader, making them sometimes really weird.

The central line of the novel, the love story between Thomas Greene and Song Yuhua seems over simplistic and not really believable. Characters regularly get an easy escape from trouble, and seem to be passing through dreadful events such as war and crimes without being really affected by them. Although I enjoy the historical research a lot, I have to admit that the story telling does not match it. Readers interested in Shanghai history will surely enjoy it, but other may be disappointed by the lack of depth and feeling of the novel.

Mr Loo, the novel of an Asian art dealer

Lenain's book cover — Lenain’s book cover

Old Shanghai was often the paradise for adventurers, due to the civil war raging in China at the time as well as lawlessness and multiple jurisdictions creating many places to hide. It attracted many shady characters, some of them becoming real stars of the city. Although he was born in ZheJiang province and was coming back to Shanghai regularly for his business, Mr Loo was not really part of the Shanghai as he lived mostly in Paris and New York. Nevertheless, his story is so fascinating and linked to China in the Republic time that it deserves to be part of this blog. It is the topic of Geraldine Lenain’s book, “Mr Loo, le roman d’un marchand d’art asiatique”, Mr Loo the novel of an Asian art dealer.

CT Loo was born in a poor family in Zhejiang but became the trusted companion of Zhang JinJiang , sent as 3rd secretary of the Chinese Embassy in Paris in 1902 who took CT Loo to Paris. This changed Loo’s life forever. Zhang also opened an antic store, that was soon in the hands of CT Loo. Having learned the trade in a few years, he left on his own to create his own company. He later one opened a company in New York, organizing a triangular trade of antic from China to Europe and then the USA, but he kept the relationship going with Zhang JinJiang who became a powerful part of Chiang Kai Shek Republican government. He exported large quantities of major Chinese historic art work to the West thanks to his powerful connection in the republican administration. In the process, he made the World discover Chinese ancient art including bronzes, carved jades, stone sculptures and paintings at a time when little was know about it in the West. He help build the Chinese and Asian collections of numerous world class museums, including Paris Musée Guimet, London British Museum, New York Metropolitan Museum and many others in the USA.

One of the Taizong horses in Penn Museum

His personal life was really bizarre, marrying, his lover’s daughter while keeping the relationship running with both of mothe and daughter at the same time, and having 4 daughters later on. He kept his life in China, France and the USA disconnected, having nearly three parallel lives and keeping it secret to each other most of the time. The real dark side of him is that he organized the export of China historical treasures, through his connection in the Europe, USA and the Chinese administration. Though he claims that he never organized the theft from original locations, he clearly played a major role in the process. One of the most well known example are the two sculptures of the Taizong horses, ordered by early Tang dynasty emperor Taizong in the 7th Century with 4 of the 6 horses exhibited in Xian and the 2 remaining sold by CT Loo to the Penn Museum in Philadephia. For this he is still hated in China and considered a traitor. At the same time, most of the pieces he exported have been saved from later destruction during China recent history.

Geraldine Lenain’s biography of CT Loo is a very enjoyable read, carrying us through CT Loo work, his twisted personal life and historical events of the time. Though CT Loo was a real character, his life sometimes feels like a novel. The book was written in French. For more details in English, follow this link to the excellent FT article on the book and its writer. There is no English translation of the book so far, though I am sure it will come.

Peter Hibbard’s Peace at the Cathay

Peter Hibbard has long been one of the leading scholars on Old Shanghai. He wrote the best (if not only) guide to the Bund: “The Bund Shanghai: China faces the West”, as well the privately published book celebrating the opening of Shanghai Peninsula, covering the history of the Hong Kong & Shanghai Hotel corporation. Peter Hibbard is also known to have revived the Shanghai Branch of the Royal Asiatic Society , an association that was at the center of cultural and intellectual life of Old Shanghai and has come back to life in recent years. With his years in Shanghai and is long term interest for city’s history, Peter always mentioned several book projects, with the most exciting surely an history of the Cathay Hotel (today the Fairmont Peace Hotel). Having started researching in the mid 80’s, the book has finally become reality.

With in-depth knowledge, historical photos, documents never seen before and years of passion in the making, Peace at the Cathay is the definitive guide to what is now known as The Peace Hotel. The book covers the history of the spot of its predecessor, the Central Hotel, as well as the competitor on the other side of the street, the Palace Hotel (now Swatch Peace Hotel). This is where is learned that the Palace Hotel was renovated in 1925 by Spanish architect, Abelardo Lafuente.

Obviously, the main part is focused on what became known as the Sasoon House (still known under this name in Shanghainese), and its most well known host, the Cathay Hotel that opened in 1929. With its revolutionary design, highest end service and luxury shops offering the very best available at the time, the Cathay quickly became the center of the high class social life in Shanghai and a magnet for international tourists. Owner Victor Sassoon, with his office in the building and private apartments on the top of it, probably became the most famous Shanghailander ever and many celebrities stayed at the Cathay, as Shanghai was becoming part of the international scene.

Sasoon hotels also opened the Metropole Hotel n 1932 (and its sister building the Hamilton House). They completed the existing Cathay apartments in the French Concession, and were joined by another Art Deco icon of Shanghai, the Grosvenor house in 1935. All of them are also covered in the book, as well as the later use of the building after 1949.

Despite the in-depth research and the quantity of information it brings, the book makes a good read as well as a pretty coffee table book. Unfortunately, only a few hundreds of copies were made in the first print, so people interested in it should buy it fast (as far as I know, it can be bought at shop in the hotel itself as well as by contacting the author). Hopefully, as second print will be made on a larger scale, making the original copies even more valuable.

Peace at the Cathay is definitely the book about the Cathay Hotel, from the best source. We are lucky it is finally available.

The Blue Lotus

“The Blue Lotus”, Tintin’s adventures in China, was probably the first thing I learned about Shanghai. The reality of today’s city has little to do with this cartoon anymore, but the book was an inspiration to come to Shanghai for many of us. Although it was a work of fiction, this great depiction of the city’s past still has find echoes in shikumens or villas in the former French Concession.

The weekly black & white cartoons were originally published in children weekly supplement of Brussels’ daily news paper “twentith century” (‘Le Vingtième siècle”). Famous cartoonist Hergé set to send his report to China for his fifth adventure. Rarely leaving Brussels, he started deep researches on this country that he knew little about. His meeting with a young Chinese art student in Brussels created the elements for his new work.

Born in Shanghai, Tchang Tchong-jen (Zhang Chong Ren in modern pinyin) studied painting in Tu Shan Wan art academy, that was founded by Jesuits priest in Xu Jia Hui. He was the nephew of Ma Xiang Bo (known in the west at Father Joseph Ma), a professor at Aurora University (run by the Jesuits brothers), who left it to start Fudan University. Just like many young Chinese, Tchang is highly interested in politics and wishes the end of the foreign concessions in China. He leaves China to Belgium on 23 rd September 1927, the day of the “Mukhden incident”, first step of the Japanese invasion of Manchuria and meets Hergé during the early part of his stay.

Tchang’s role in creating the cartoons really develops when Tintin reaches Shanghai. Being himself an artist, he strongly influences the drawing of the cartoon, making it so vivid that Hergé’s drawing sometimes looks like old photos of Shanghai.

Chinese characters used in the action and decors must have been drawn by him, including a number of secret messages, like political slogan demanding foreigners to leave China disguised as writing on walls. Some foreigners in the cartoon are seen as racists, exploiting poor Chinese people. Real pieces of news such as the “Mukhden Incident” are included in the story. Tchang is himself represented in the album as Tintin’s friend Tchang, demonstrating the link created between the two artists. Although this a biased view of a much more complex reality, the album carries the atmosphere of Shanghai at this period really well.

Having being instrumental in the cartoon creation, Tchang goes back to China in 1935, before the actual publication of the cartoon in “Le Petit Vingtième” newspaper. Having lost track because of the war and political events, Hergé will look for his friend for years, before finally meeting again in1981. The Blue Lotus remains one of the most wellknown Tintin album, having been published in several editions in France / Belgium and in China. Publication will be studied in a further post.

Shanghai scarlet

The Shanghai forgotten modernist writers, Mu ShiYing, Shi Zhecun, Du Heng, Liu Na’ou, Xu Chi have captured my attention since I first came across them in Lynn Pan’s excellent Shanghai Style. I also wrote a specific post about Mu ShiYing “Shanghai Foxtrot” a few years ago. The opportunity to read a novel focused on the author’s life was quite exciting, this is the story told by Shanghai Scarlet.

Author Margaret Blair spent her youth in the Shanghai International Settlement, and now lives in Canada. Like JG Ballard (surely the most famous), Liliane Willens and several others, she wrote a book about her life in Old Shanghai, Gudao, Lone Islet. Shanghai Scarlet, her second book, has received little review as self-published by the author in Canada.

Shanghai Scarlet is inspired by the life of Mu Shying, but it is told by 2 characters, Mu himself and his wife Qiu Peipei. The book is a novel based on historical facts on which the author has added her own vision and filled out the blanks. It is very clear that Margaret Blair has taken the forgotten Shanghai modernist writers to her heart and acquired an impressive knowledge about the topic. The Old Shanghai decor feels really right and the fast changing background of the Chinese politics of the time really shows the hard choices those artists had to make. Mu XiYing’s career started in the early 20’s as a Ningbo student who discovers life in Shanghai, China’s center of modernity. He became part of the group of modernist writers that tried to reform Chinese litterature, in the wave of the changes of the time. With the civil war going on in China in the 1930’s and the Japanese invasion, artists became under pressure to choose a side between Nationalists, Communists and collaboration with the Japanese occupant. Each of them made his own choice, turning long life friends into enemies. Mu XiYing ends up siding with the puppet government of Wang Jingwei, collaborating with the Japanese. Although there are not many information about the topic, the book analyses the thoughts and motivations of the various choices in a very credible manner.

The narrator’s voice is alternatively Mu Shying and Qiu Peipei, keeping the story together and showing the adventurous life of this couple through different angles. Very little is known about Mu Shying’s wife and Margaret has chosen a very strong and (nearly) feminist tone and personality for her. That is probably a little odd in regards to the actual period but matches the story. Despite the heavy research, I noticed a few anachronisms (Margaret, the name Art Deco was coined in the 1960’s so I don’t see how Mu Shying could be thinking about “Art Deco” buildings, for him they were probably simply “modern” I guess). The writing style itself is a little slow sometimes and the same story to be made shorter at some point, particularly toward the end. However, the book all in all is quite an entertaining read, as well as a good source of information.

I had never heard about the book nor the author before she contacted on this blog, however the book is also available on amazon. This is not really a mainstream book, but people interested in the topic will enjoy it. The author’s website is www.margaretblair.com

Burmese days

George Orwell was mostly known to me thanks to his novels 1984 and Animal farms. As I recently discovered, he also wrote a famous book about his time in Burma in the 1920’s, “Burmese days”. The book has recently been back in the news, thanks to Emma Larkin‘s “Finding George Orwell in Burma” published in 2005. As the most welknown book taking place in Old Burma, “Burmese days” is high on the list of people going to visit today’s Myanmar. Home made copies of the book are on sale in many tourist spots, just like copies of Graham Green’s “The quiet American” are often found in the streets of Saigon.

Set in 1932, the book describes the life of a couple a British colonists in the city of Kyauktada, at the edge of the British Empire. The fictionnal city is copied after the real town of Katha in North Burma, where George Orwell spent 5 years in the imperial police. Lost in the Burmese jungle, they have very little contact with the rest of the world, apart from the “yearly trip to Rangoon”. They also have very little contact with the “natives”, i.e. local Burmese, with the exception of their personal servants (boys and butlers) and private interaction with the local women. The book is pretty much a “huis clos”, it counts only a small number of people and all scenes take place in the same location and in a short period of time. The conditions described in the book are more related to Shanghai in the 19th Century when Shanghai was still considered as an outpost. The city grew fast, but the closed feeling still stayed as foreigners where never that many compared to Chinese and surely always went in the same circles. Smaller outpost in China, just like the one described in “Barney”, were surely even closer to the book description.

Old Bristih house on the river, Burma — The master's house on the river, just like in the book

The book is really reflecting the period view on humanity and colonialism. Although the world is opening to new and different values, like admitting “a native” in the Club, there were hard defenders of conservatism. Just like some expatriates in today’s Asia, they lived a life of pseudo luxury with servants and living conditions they would never dream of at home while constantly complaining against “the natives”. At the same time, they had no interest in understanding people around them, prefering to recreate a mini copy of their idealised homeworld stucked in past. George Orwell spent 5 years in British Burma and his opinion on the topic was very clearly similar to the one of his central character, Flory. He surely also had to hide is views and could not share them with many people there. Similar opinions were common all over Asia. Although the Shanghai. community was way larger than this small city, similar divisions existed between the ones defending their western colonists position and priviledges (including extraterritoriality in China) and the ones with progressist and equilitarian ideas summarised in the universal human right declaration. In Shanghai, a few examples of the progressive camp included Carl Crow who spoke fluent Chinese and became an expert on the topic, as well as JB Powell, publisher of the China Weekly Review. The book is not only an interesting read during a trip to Myanmar, many parts also echoes Old Shanghai life.