Architecture Archives - Shanghailander

Cité Bourgogne, Shanghai

As a long term Shanghai resident originally from Burgundy I have been asked and puzzled about Shanghai Cité Bourgogne. Here is the story of this icon of Old Shanghai.

Like many people, I first got to know about Cité Bourgogne when I walked the streets of Shanghai, specifically the corner of Shaanxi lu (Avenue du Roi Albert) and Jian Guo Lu (Route Frelupt). Although not far Avenue Joffre (today Huai Hai lu Zhong lu), the main road of the former French Concession, this area was considered out of the city center in the early 1930s.

Aerial view of central Shanghai in the 1930s

Shanghai is famous of its rows of back alleys lined by brick houses. These alleys are called “Lane” in English, “Li Long” 里弄 in Chinese and “Passage” in French. They form a maze of tranquility and coziness away from the noise and activity of Shanghai streets. Houses lining the alleys are mostly Shi Ku Men 石库门, named after the stone door frame closing the courtyard and facing the alley. Housing style evolved with time and wealth, from tiny houses to small mansions. As seen on above picture, most of old Shanghai used to be covered with lanes, the most common accommodation for Shanghainese in the 1930s, as shown on above picture. Cité Bourgogne is mostly noticeable because of its name.

Cité Bourgogne entrance on Shaanxi Nan Lu

If most Lilong had entrances marking the name of the `lilong in Chinese, this one is really special. Designed in Chinese revival style, it indicates the year of completion of Cité Bourgogne, 1930. Below it is the name “CITÉ BOURGOGNE” and the Chinese name 步高里 / Bù Gāo Lǐ. This is different from the original layout shown below, where only the Chinese name was written. The (fake) yellow stone and new indication was probably more recently, during a renovation. The good thing is that it attracts attention.

The lilong or lane in English has 78 houses, each of which were originally occupied by one family. As the house were quite large, it was clearly an upmarket residence. The houses were later subdivided and about 450 families now live in Cité Bourgogne. The location at the corner of Avenue du Roy Albert (today Shaanxi Nan lu / 陕西南路）and Route Frelupt (Jianguo Xi Lu / 建国西路) was on the edge of the urban area of the former French Concession, away from the city center. On the other side of Route Frelupt (Jianguo Xi Lu / 建国西路) was located the French shooting range, where Luwan stadium now stands. At that time, it was the South edge of the built area of the French Concession. A block further down was the Zhoajiabang creek, 肇嘉浜, the administrative border of the French Concession.

Cité Bourgogne Entrance on Jiang Guo Xi Lu

Cité Bourgogne was the property of real estate developper “Foncière et Immobilière de Chine” or FONCIM. This company was the real estate arm of ISS, an insurance company and one of the major French company in Shanghai then. It is mostly famous for its Art Deco building designed by LVK, including the Dauphiné, the Gascogne and many more. However, FONCIM also had a number of lilong including Cité Bourgogne, and 建业里 / Jian Ye Li that is now the Capella Hotel further on Jian Guo Xi Lu.

Although FONCIM used LVK for many of its buildings, it is not clear that they used them for Cité Bourgogne. It was clearly not the case for its other lilongs. Cité Bourgogne modern Shikumen style could fit LVK style, but the project is not mentioned in the 1934 14th July double page ad in Le Journal de Shanghai, showcasing the work of the firm over the period. I have seen secondary sources mentioning LVK as the designer, but no proof so far.

This lilong differs from many other with its archway towering the alleys, making is really memorable.

FONCIM had the habit of naming its buildings after French regions. Its buildings were named Le Béarn, le Dauphin´´e, Le Normandie, Le Picardie, Le Gascogne. Thus us is not surprising to have an another property called Cité Bourgogne.

I could not find a real link with the actual region of Bourgogne in France. nor with its wine that were sold in Shanghai at the time. However, since the name is so visible, people from Burgundy regularly ask about a possible link with the region. I even had the privilege to take the most famous Burgundy winemaker, Mr Aubert de Villaine, owner of the Word famous Romanée-Conti, for a tour to Cité Bourgogne. As a true Burgundian, I also made some research about Burgundy wines in Old Shanghai a few years ago, but not link came out between Cité Bourgogne and Bourgogne wine either.

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Hungarian Architects in Shanghai

Having lived a number of years in Budapest before moving to Shanghai, I have always felt a special connection with the city. One of my interest in Old Shanghai has thus been Hungarian architects in Old Shanghai, in particular Lazlo Hudec.

A number of exhibition about Laszlo Hudec have taken place in Shanghai since the 2008 Year of Hudec in China that really helped rediscovering his heritage in Shanghai and then in Hungary. Laszlo Hudec story and work was totally unkown in Hungary when I lived there, but I have noticed more and more people in know about him nowadays.

Thanks to the continuous work of Virag Csejdy, founder of the Hudec Cultural foundation in Budapest (https://www.hudecproject.com ) and thanks the Hungarian-Chinese friendship association, a major exhibition about Hungarian architects in Shanghai is now taking place in Budapest. This will surely help to raise the profile of those Hungarian architects that found fame in Shanghai.

“Timeless Modernity — The Shanghai Legacy of Hungarian Architects” opened on 1st December 2025 and will last until 22nd January 2026. It focuses on the work and legacy of Laszlo Hudec but also Károly Gonda, Béla Mátrai & Rudolf Sömjén.

The exhibition is taking place in the China Cultural Center in Budapest:
Bosnyák utca 1
H-1149 Budapest

Unfortunately, I could not fit a trip to Budapest in my schedule during that time, but there are talks of taking the exhibition to Shanghai in 2026. I hope I will be able to see it then. In any case, this is a great excuse for a short stay in Budapest for old Shanghai lovers.

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Short visit in Swatow

Shantou / 汕头 in Guangdong province is famous for its food and seaside. It is also the location of Swatow former concession. This was the opportunity for a short trip.

Although located half way between 1842 original concessions of Hong Kong et and Xiamen, Swatow was only opened as a treaty port in 1860 with the treaty of Tianjin. British and American consulate opened on Mayu island of the cost in 1860. The British Consulate later moved to Queshi, on the other side of the river to Swatow city. The American Consulate moved to Kia Lat area, on Tai-Malo street (today 外马路) area. Other consulates opened in the same area including Japanese, German, Norwegian and French, along with a Astor House hotel. At the time, the road was close to the river, but land has been reclaimed here since and the area has changed a lot.

Large trading houses were located further West, around the most densely populated area. They included usuals Butterfield & Swire, and Jardine & Matheson as well as China Merchants. Banks such as HSBC and Bank of China were also located close to the keyside.

Although most of the sea side buildings have disappeared, the road going from the riverside inland has some interesting spots, starting with the Customs house on the riverside, that is now a museum. Hidden in the same area are the former customs quarter, but they are off limit for visitors. Further up is the Post Office that is still in use as its original function.

Going further up, one encounters the beautiful Art Deco Bank of Guangdong building built in 1935 by Guangzhou architect Yang Xizong 杨锡宗.

Further up is the beautiful guan yin miao 观音庙 temple and the old fire station with the hospital opposite to it (this is still the site of today’s Shantou hospital).

Further up on the road was the Consulate area. A French consulate official was dispatched in 1904 and the actual consulate opened in 1906. The building indicated on the 1924 map was built in 1923, located 11 Da Hua Road. Unfortunately, this building does not exist anymore.

Swatow did not have much trade with French companies, and France did not consider Swatow to be an important posting. Consular representative changed very frequently and often complained of the lack of activity. Looking into the foreign population of Swatow in 1933, I only found a few French people. Apart from PC Leblanc who was running the post office, and Jules Leurquin who was the French Consul, the only other French people were missionnaries.

This post focused on Tai-Malo street (today 外马路) were foreign consulates were located. Further posts will focus on Swatow old town and its beautiful architecture.

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Wedding at Fitch Memorial Church

There are many churches in Shanghai, as both concessions were hosting many christians religious people. Catholics was mostly supported by the French, with the Jesuits area of Xu Jia Hui being next to the former French concession. The international settlement was supporting the Church of England, with a cathedral behind the Bund. Many protestant missionaries were using Shanghai as a base to convert people all over China, and they also built Churches in Shanghai. I recently attended a Christian wedding at Fitch Memorial Church in Hong Kou district.

Fitch Memorial Church is the only church in Shanghai to be designed in the Neo Confucian style, also called Republican style. This combines the exterior of the traditional Chinese building, although built in concrete not wood, with the inside of a modern building.

Fitch Memorial Chirch was completed in 1928. This is also the time when the whole Hongkou district was developing. The architect was Yang Xiulu / 楊錫鏐 which firm also built the Paramount Ball Room and the Nanjing Hotel on Guizhou lu. It also designed the YMCA building in Xizhang Road, that is of the same style than the Fitch Memorial Church.

The outside is rich with details.

Although there are many churches in Shanghai, it is still rare to have wedding in an actual church. The couple are both member of this church, creating a really special atmosphere. It felt a bit like in a movie.

The church has two full worship floors on the top of each other, which is rather rare. I guess this was planned to handle more ceremonies at the same time. The wedding was on the upper floor, but I could also get a view on the lower one.

The church has been through a lot over history, including as a shelter for refugees during the 1932 Japanese attack and being used as an hospital during cultural revolution. It was refurbished in the 1990s with a lot of original details having been preserved including stained glasses below.

Fitch Memorial Church was name after Reverend George Field Fitch (1845-1923). Arriving in China in 1870, he become an important leader of the Presbyterian Mission Press. His work is credited with revolutionizing China’s printing industry and establishing Shanghai as a key publishing hub in Asia.

The Fitch Memorial Church is located at 59 Duolun Lu in Hongkou district.

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Longchamp house in the former French Concession

Luxury brands have been using old Shanghai houses to make stores or customer experience centers for a few years now. Although renovation does not always follow historical lines, it’s a great opportunity to preserve and open those old buildings to the public.

The earliest I can remember the opening of Three on the Bund, the pioneer of Bund old building renovation in 2003. It was followed by Bund 18 in late 2004. One massive project was the renovation of the twin villas on 796 Huai Hai Road by Richemont, that opened in 2008. The renovation was of the highest level, done by the same Italian company that did Bund 18. Another famous example is the Maison Hermes, taking over the building of the former Joffre police station on Huai Hai Road. The last one to come to mind was the Shanghai Tang store @ Cathay Cinema that has now disappeared.

Walking in the street of the former French Concession, I came by random to the new Longchamp house 12 Wu Kang Lu. The outside of the art deco house has been well preserved. The house was built in 1948, one of the last Art Deco / modernist style. Details of the outside have been well preserved including the rot iron frame and balcony, as well as the bricks color.

The inside has been totally renovated, still keeping the beautiful staircase.

Original parts like the windows have been recreated with a fitting model, creating a new old and new atmosphere that fits the French brand well.

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More Dijon Art Deco

The summer of 2025 was an opportunity to spend more time in my home city, Dijon, and to revisit its art deco heritage. With more time at hand, I could explore more areas, expanding from my original post from 2013 (see post “Dijon Art Deco” for more details). This is a side post from the main topic of the blog, Old Shanghai.

Although its traces go back to the Roman Empire, the city is mostly known for its medieval architecture, built during the Duke of Burgundy time in the 14th and 15th century. 16th and 17th Century renaissance architecture saw the rise “hôtels particuliers” or private mansions closely inspired by Paris ones like Hotel Sully. The city was called “small Paris” for a while. Dijon population grew rapidly in the 1920s, creating opportunities for construction. The style in vogue was modernistic, part of it is now called Art Deco.

Modernist building on 9 Rue Dr Chaussier

One of the most noticed Art / Deco modernist building is on 9 Rue Dr Chaussier, from 1938. The U shaped design with double exposure creates a lot of light in the apartments. The inside staircase is clearly streamline design and architect P. Leroy used floor patterns similar to the one used on the MS Normandy, as well as some LVK buildings in Shanghai (see post “Deja vu from Paris to Shanghai” for more information).

Unfortunately, the building was taken over by the Gestapo after June 1940 and used as its headquarter for the city. Brand new and located close to the German authorities headquarters in the city, it was an easy prey for the invaders. This story is quiet similar to the one of “Bridge House” in Shanghai, a great Art Deco building that became the headquarter of the Japanese Kempeitai.

Another great art deco building in the city center is the newly renovated Hotel Central by Dijon Architect Gaston Paris.

The city historical architecture was mostly protected, so Art Deco building in Dijon are mostly found in the suburbs of the time. Besides the Montchapet district seen in post “Dijon Art Deco“, the area of rue de la Maladière was also built during the 1920s and 1930s. In this area, the “Eglise du Sacré Coeur” is an art deco festival.

Started in 1933 and finished in 1938, the church combines some regional features (mostly the Burgundy style rood), with modernism of the time. Apart from the 50 meters clock tower, the main point is the giant fresco of Jesus over the heart of the Church.

The design of the side chapels and the stain glasses also has a strong Art Deco feeling.

The Sacre Coeur church of Dijon is on the great Art Deco churchs, built around the same time than Vichy’s Notre-Dame des malades (1925-1931), Paris Saint-Jean Bosco church in Paris (1933-1937). It is also a similar time line to Hudec Moore Church in Shanghai.

There are many more Art Deco apartments building in Dijon, including the massive Art Deco apartment building on 33 Rue Sambin, by Dijon Architects Joseph and André Favre.

For information on Dijon Art Deco, please go to post “Dijon Art Deco“. Although Shanghai Art Deco is not the same a Dijon’s, they have a lot in common in terms of time period and style. Looking for Dijon Art Deco is like keeping the link with old Shanghai when I am away.

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The wild side of GuLangYu

For this 9th trip to the beautiful island of Kulangsu (today GuLangYu), we chose to use the ferry to the west side of the island. The Gulangyu Neicuo’ao Wharf (鼓浪屿内厝澳码头) is located where the Foo kien Tanning Co factory used to be. This side of the Island is away from the port of Xiamen and could only accessed on land via the long costal road in the 1930s. As a consequence, it was more secluded and old villas are rarer that on the other side. This whole area is now covered with parks and modern hotels. This makes it a nice place to disembark, but lacks the real Gulangyu feeling. However, one does not have to look too far to find nice surprises.

Behind some more modern constructions, stands one of the rare neo-Confucian style building on Gulangyu. The style is a combination of modernity and traditions. Bottom floors are modern but the top floors and roof look like traditional Chinese buildings. This style was popular in Xiamen in the 1920s and 30s coming with the influence and money from South East Asia. One classical example is the famous Xiamen University, along with the Xiamen Overseas Chinese Museum.

This villa was clearly the private estate of a wealthy South East Asian family. At the time of construction, it was probably far away from other houses. From the style I guess it’s from the early 1930s. The top floor is of traditional Fujian style, while the bottom is much more modern. On Gulangyu, the only other one I know is 海天堂, Hi heaven, the largest old villa complex on the island.

The Sino-American School of Gulangyu was located a little further on the same beach road. It was run by missionaries and associated with the Seventh-days Adventists. From the map, I believe the school building is still there (see below), although it has long stopped been a school. It’s mix of modern and classic western is totally different from the house above.

Former Gulangyu Sino-American School building

Our hotel was once again located in a renovated old villa. Overlooking both the West and East side, it was a large park on the top of hill. The main building is mentioned as being from the 1920s, but the style is more like late30s. The entrance on the small street under the tree shade is really enjoyable.

View from the top of the main building clearly shows this must have been a really secluded place in the past, all buildings looking down are modern. In the old time, this could have been forest or even agricultural fields. The location is clearly on a high point of the island as the view goes all over to Xiamen port far away. There is only one house upper in the street.

As the East side is much steeper, no modern building seem to have been added. This side seems abandoned, giving a good feeling of how it used to be when only few old houses stood here. A mysterious old and uninhabited villa stand among the lush trees. This side really feels like far away from the World, a great place to relax and imagine how quite and secluded this side of GuLangYu was before tourists came over.

Although the island has now become a main tourist attraction, there are still spots away from the crowd on this wild side of Gulangyu, while being only a few steps away from the more famous spots.

For more posts about Gulangyu Island, please click here.

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Horose presentation in Shanghai

On the Monday 7th April, I was invited to make a presentation for the “Société d’histoire des Français de Chine” (French in China historical society). The presentation was the closing event for the annual French language month, or “Mois de la francophonie”. It took place in the presence of the Consul General of France in Shanghai, Joan Valadou.

Stain glass in the former College municipal Français

This beautiful building was originally the French Club in Shanghai. From 1924, the French Club moved to the new location Route P`ere Robert and the building became the “Coll“ege Municipal Français”, the main French school in Old Shanghai. Children of the French community studied in there, among them Rena Kraszno and Liliane Willens. Before the presentation, we took a tour of this beautiful building.

The presentation focused on the life and work of Stéphanie Rosen-Hoa. I have written a number of articles on the topic as well as the Shanghai movie “Love and duty” that was made after one of her novel. The presentation was in French. The video recording will be available in a few months on the website of the Société d’Histoire des Français de Chine. I will share the link here when available.

Goodbye to Lafayette Cinema

Rue Lafayette (today Fuxing lu, 复兴路）was going through most of the French Concession. The Western part was a high class neighborhood dotted with upscale residences, as seen in movie “Love and duty“. The middle part was more urban and popular. This is where Lafayette Cinema was located.

Built in 1933 following a design from Laszlo Hudec, the Lafayette Cinema is a classic streamline design. It was build of steel and concrete, with a long horizontal front, contrasting with a vertical line that was also used as a beacon for the location. The style is very similar to Laszlo Hudec other streamline design cinema, the Grand Theater on people square, that also opened in 1933. The beacon was visible from far, attracting the attention of passer-bys.

Located on 323 Route Lafayette, the Lafayette Cinema was single screen, with 850 seats. As opposed to the Grand Theater which was one of the top movie houses in Shanghai, the Lafayette Cinema was catering for a more popular audience. It was a second-class theater that was showing movies a few weeks after premiering, for a cheaper price. It was very popular with a Chinese audience. The owner was Mateo Beharas, a French Jewish businessman from Marseille who was mostly known for importing Tissot watches in China. The family also owned the Zekiang Cinema (today Zhejiang Cinema), on 123 Zhejiang lu, that was also designed by Laszlo Hudec and built in 1930.

Having survived all those years, the Lafayette cinema saw a nice restauration of its façade in the 2000s. It even survived an exit of metro line 10 being built within the building. The building was then turned into a cultural center and the façade was quite similar to the original one.

Unfortunately, it has been renovated again recently and heritage protection was surely not on the scope of the new owner as shown on picture above. Hopefully not too much damage was done on the façade and the overlay can be removed later on.

It seems that historic official plaques are no protection against bad taste. This reminded me of another ruinovation a few months ago (See post Crime scene on Rue Henry).

Paris streamline building

The 1925 Exposition Internationale des Arts Décoratifs is seen as the spring box of the Art Deco style, from which it spread all over the World. At that time, it was mostly called modern style and evolved in various sub-branch. One of the later one is called “streamline design” in English, or “Style paquebot” (i.e. sealiner style) in French. I recently got an opportunity to visit a very specific paquebot style building in Paris, thanks to Paris Art Deco Society.

Located at 1 Rue Jacques-Callot, in Saint-Germain des Prés, the Callot building was designed by Roger-Henry Expert and completed in 1933. In the same year, Roger-Henry Expert also designed the passenger deck of the SS Normandie steamship, an Art Deco showcase. The Callot building was originally housing the architecture department of the nearby “Ecole des beaux-arts”. It is now one of the campuses of the architecture school ENSA-Paris Malaquais, thus it was an architecture school since conception until today.

It was extremely avant-garde at the time, and probably influenced many of the architecture students who then helped spreading the style all over the World. The ground floor space is an exhibition hall. The best spot of the building is probably the 5th floor offers a fantastic view over many Paris historical buildings.

The metal structure supporting the glass roof looks quite similar to the structure of the Normandy building over the 1st class deck. Both were designed by the same architect. Tiling similar to the SS Normandie tiling style can also be found in Shanghai, see post “Déjà vu from Paris to Shanghai“.

Streamline design buildings were also built in Shanghai, the most visible being the former empire Mansion at the corner of Huai Hai lu / 淮海路 (the former Avenue Joffre) and Changshu Lu / 常熟路 (the former Route de Say-Zoong). Up the same street stands another steamship style building, not far from the former location of the “Jardin Français“. Another example was the Lafayette cinema that has recently disappeared (See post “Goodbye to Lafayette Cinema“).

Long after the end of streamline design in the late 1940s, the style was still popular in Shanghai. Many buildings form 1990s Shanghai still show remains of streamline design, as shown in post “Frankenstein Art Deco“, where the link with the original Callot building is still clearly visible.

The ground floor of the Callot building has an newly refurbished exhibition space that would be just right for a Art Deco exhibition. Hopefully such exhibition will happen soon.